Greyfriars Bobby: The True Story of a Dog (1961) - News Poster


Red Dog – review

Based on a novel by Louis de Bernières which in turn was inspired by a real incident, Red Dog is the most popular Australian movie of the past year. Told in flashback as the eponymous pooch lies sick in the back room of a remote pub in Western Australia, a variety of tough guys relate how the Red Dog became a local legend around the remote coastal town of Dampier and brought together a community of lonely working men. Red Dog is played in the film by an Australian breed of sheepdog known as a red cloud kelpie, and there's now a bronze statue of him in the area. The film gathers incidents from every dog movie you ever saw, from Rescued by Rover and Rin Tin Tin to Greyfriars Bobby and Lassie Come Home. It's guaranteed to bring tears and laughter to popular audiences, and those who turn up
See full article at The Guardian - Film News »

Toronto 2011. Davies's "The Deep Blue Sea" + Meirelles's "360"

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Why round up reviews of both in one entry? Because Fernando Meirelles's 360 will be opening the BFI London Film Festival on October 12 and Terence Davies's The Deep Blue Sea will be closing it on October 27. What's more, both star Rachel Weisz and, of course, both have just seen their world premieres in Toronto. We'll consider them, though, in order of interest.

"So entirely immersive is Terence Davies's desire to recreate and analyze the ethos of post-World War II Britain that not only has he fulfilled his ambition to refashion Terence Rattigan's The Deep Blue Sea," writes Todd McCarthy in the Hollywood Reporter, "but he has created a theoretical sequel to Noël Coward and David Lean's Brief Encounter in the bargain. As intensely personal and deeply felt as it is, however, Davies's attempt to breathe new life into Rattigan's 1952 play is a rather bloodless, suffocating thing,
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The Deep Blue Sea – review

Terence Davies dives into a faithful adaptation, but Terence Rattigan's dated play is doomed to sink on the big screen

The good news is that Terence Davies's adaptation of Terence Rattigan's 1952 play about a judge's wife who has an affair with an Raf pilot is nothing if not faithful. It's a veritable Greyfriars Bobby: patiently wagging its tail, even if its master is not looking too hot around the chops. Those who can't bear the idea of a staple of the English stage sexed-up for the flicks can sleep easy. That's the bad news, too, of course.

Whatever measures Davies takes to make cinematic waves – lavish soft focus, energetic orchestration, a devil-may-care approach to cigarette smoke – The Deep Blue Sea remains flat as a duck pond, the prisoner of a story whose relevance, even in metaphor, has lost much of its sting, and whose dialogue has
See full article at The Guardian - Film News »

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