| Photos (See all 12 | slideshow) |
| Bill Travers | ... | Joe Ryan | |
| William Sylvester | ... | Sam Slade | |
| Vincent Winter | ... | Sean | |
| Christopher Rhodes | ... | McCartin | |
| Joseph O'Conor | ... | Prof. Hendricks | |
| Bruce Seton | ... | Prof. Flaherty | |
| Martin Benson | ... | Dorkin | |
| Maurice Kaufmann | ... | Radio Reporter | |
| Basil Dignam | ... | Admiral Brooks | |
| Barry Keegan | ... | Mate | |
| Tommy Duggan | ... | First Naval Officer | |
| Howard Lang | ... | First Colonel | |
| Dervis Ward | ... | Bosun | |
| rest of cast listed alphabetically: | |||
| John Breslin | ... | Soldier (uncredited) | |
| Mick Dillon | ... | Gorgo (uncredited) | |
| Nigel Green | ... | Bulletin Announcer (uncredited) | |
| Harvey Hall | ... | Squadron Leader (uncredited) | |
| Brian Jackson | ... | Army Officer (uncredited) | |
Directed by | |||
| Eugène Lourié | (as Eugene Lourie) | ||
Writing credits(WGA) | ||
| Robert L. Richards | (screen story) originally as John Loring and | |
| Daniel James | (screen story) originally as Daniel Hyatt | |
| Robert L. Richards | (screenplay) originally as John Loring and | |
| Daniel James | (screenplay) originally as Daniel Hyatt | |
Produced by | |||
| Wilfred Eades | .... | producer | |
| Frank King | .... | executive producer | |
| Herman King | .... | producer | |
| Maurice King | .... | executive producer | |
| James Leicester | .... | associate producer | |
Original Music by | |||
| Angelo Francesco Lavagnino | (as Angelo Lavagnino) | ||
Cinematography by | |||
| Freddie Young | (as F.A. Young) | ||
Film Editing by | |||
| Eric Boyd-Perkins | |||
Art Direction by | |||
| Elliot Scott | |||
Makeup Department | |||
| Stella Morris | .... | makeup artist | |
Production Management | |||
| George Mills | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Douglas Hermes | .... | assistant director | |
| Joe Marks | .... | second assistant director (uncredited) | |
| Ted Morley | .... | second assistant director (uncredited) | |
Art Department | |||
| John Graysmark | .... | draughtsman (uncredited) | |
Sound Department | |||
| John Bramall | .... | sound recordist | |
| Archie Ludski | .... | sound editor | |
| Peter Thornton | .... | sound editor | |
| A.W. Watkins | .... | recording supervisor | |
| Bill Baldwin | .... | boom operator (uncredited) | |
Visual Effects by | |||
| Tom Howard | .... | special photographic effects | |
Stunts | |||
| Peter Brace | .... | stunts | |
| Michael Dillon | .... | stunts | |
| Peter Perkins | .... | stunts | |
| Connie Tilton | .... | stunts | |
| David Wilding | .... | stunts | |
Camera and Electrical Department | |||
| Douglas Adamsson | .... | additional photographer | |
| Jack Mills | .... | camera operator | |
| Jim Dawes | .... | grip (uncredited) | |
| Roy Gough | .... | still photographer (uncredited) | |
| Richard Robinson | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Harry Haynes | .... | wardrober | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
Other crew | |||
| Pamela Davies | .... | script supervisor | |
| Herman King | .... | public relations | |
| Jack Labow | .... | assistant to producer | |
| Jean Clarkson | .... | production secretary (uncredited) | |
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| Godzilla, King of the Monsters! | Ghidorah, the Three-Headed Monster | Godzilla | The Beast from 20,000 Fathoms | Dick Tracy Returns |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
GORGO is hardly a perfect film but it does have several things working in its favor which make it more entertaining than many other giant monster films. One is director Eugene Lourie, certainly no stranger to giant monster films directing THE BEAST FROM 20000 FATHOMS, THE COLOSSUS OF NEW YORK, THE GIANT BEHEMOTH as well as GORGO. In terms of Special FX and Ending, only the first film named above is better than GORGO. The FX work(done by Tom Howard) in GORGO is truly well-accomplished and for the time and era was rather ground breaking. The Ending is also truly unique amongst giant monster films which usually all end the same way but this one certainly doesn't.
The problems lie mostly with lack of character development and some serious leaps of logic. Still there are times this film can be quite suspenseful particularly once Mama Gorgo comes on the scene. The huge red-eyed Mama rising out of the water is certainly memorable stuff.