King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
Aliens arrive on Earth and ask permission to be given a certain tract of land for their people to live on. But when they are discovered to be invaders, responsible for the giant robot that ... See full summary »
Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were ... See full summary »
A salvage vessle is nearly sunk off the Irish coast by an undersea earthquake. A few nights later, a walking sea monster tangles with the fishing boats and enters the town. The salvage vessel captures Gorgo and takes it to London for display. Gorgo's mother, who is upset and significantly larger follows his trail to London leaving a wake of destruction in her path. Written by
John Vogel <email@example.com>
The film had its London Premiere on 27 October 1961 at the London Pavilion, the theater seen in the scene where Gorgo is being driven through Piccadilly Circus, and was double-billed with My World Dies Screaming (1958). It went on its suburban London release on the ABC circuit on 27 November 1961. See more »
Several scenes show stock footage of Centurion tanks moving to engage Gorgo, yet there are never any scenes of the tanks firing at the monster. See more »
It's undoubtedly heading for Battersea Park, sir. That's the place to stop it.
How much voltage do you estimate would be required for electrocuting this animal?
Two million, three million volts? That's only a guess. There's not much precedent to go on, sir.
Quite. Get me Battersea Power Station!
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The special effects that were made specifically for this film are pretty impressive (I read somewhere that the man responsible for them also worked - along with several other people - on the effects of "2001"), but there is WAY too much stock footage here, and whoever color-processed the film should have been fired early on. The monsters display far more personality than the bored, stiff actors, and the director has a bad habit of cutting away from many sequences in midstream. (**)
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