A semi-fictionalized version of John Resko's incarceration is presented. John is on death row at Sing Sing for murder. In December 1930, he killed a toy store shopkeeper over a teddy bear ... See full summary »
The world in the late 19th century: A scientist and his team are held as "guests" of Robur on his airship, that he want to use to ensure peace on earth. Peace with all, even if he has to ... See full summary »
Gilbert de Quincey is an early 19th-century adventurer involved with helping runaway slave girls and victims of a tong war in San Francisco. Garbed in black from head to toe, de Quincey ... See full summary »
A short Arizona motorcycle cop gets his wish and is promoted to Homicide following the mysterious murder of a hermit. He is forced to confront his illusions about himself and those around ... See full summary »
James William Guercio
Billy Green Bush,
The seemingly tranquil waterways of Venice are terrorized by the perfect killing machine. In search of his father who has mysteriously disappeared diving in the city, David stumbles across ... See full summary »
Hilda van der Meulen
The presence of two Hollywood veterans (dashing hero Ricardo Montalban and sleek villain Vincent Price) only slightly elevates ¬¬this otherwise low-brow pirate romp. The handling is thoroughly routine (coming from this journeyman director, one could hardly have expected more!) and the plot complications (involving action, romance and intrigue) exceedingly predictable. This does not mean that the film is not (mildly) enjoyable while it is on yet what pleasure the viewing may have elicited from this swashbuckler fan was dissipated by the panning-and-scanning of the original Widescreen ratio which was so severe that, at one point, it seemed like Montalban was giving mobilization orders to the heroine's maid rather than his underling (who had been completely cropped out of the shot)! Incidentally, the print I acquired sported a different title to the (admittedly meaningless) one it is known by in the U.S., namely GORDON, THE BLACK PIRATE (that is to say, a literal translation of the Italian one); watching it, I was reminded of the similar, likewise middling and contemporaneous Steve Reeves vehicle MORGAN, THE PIRATE.
Montalban gets to do a fair amount of acrobatics throughout (even ripping off Douglas Fairbanks' legendary adoption of a dagger to slide down the sails!): in fact, the very first scene finds him engaged, bare-chested, in a duel with a rebellious patch-eyed associate who subsequently becomes his sworn enemy and even ingratiates himself with dastardly and ambitious Governor's Secretary Price (the real force behind the human trafficking going on in the area) when the hero dons the guise of a Cuban slave trader to try and upset the villain's schemes, his old nemesis gets back at him by blowing Gordon's cover! Price, then, has plans not only to oust his superior from power but on his daughter as well; she, on the other hand, unsurprisingly falls for The Black Pirate (by the way, there were at least 2 other "Euro-Cult" efforts by this name, not forgetting the 1926 Silent classic from which that afore-mentioned Fairbanks stunt was borrowed to begin with, as is the swimming en masse precipitating the raid on an enemy ship!) but the heroine has competition from feisty, earthy Liana Orfei (something of a genre stalwart, this is her most sizeable part of a recently-viewed trio), yet is it the latter who sacrifices herself when realizing Gordon actually prefers the upper-class girl. By the way, Price's own fate is curiously left hanging (i.e. not properly resolved) at the climax!
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