Having eluded a posse, a wanted man rescues a woman and her young son from a Comanche attack. He then escorts them to the presumed safety of a U.S. Cavalry fort. Trouble develops along the ... See full summary »
Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
A tough, womanizing high-stakes gambler known only as Tennessee has an uneasy relationship with Duchess, madam of a thinly-disguised bordello, and no other friends at all. But he's saved ... See full summary »
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »
Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but "nothing they can't do from a horse." Their lives are divided between months on the ... See full summary »
Fur-trapper Shawn Garrett gets out of a horse-stealing charge in a small, frontier town by agreeing to buy the horse with a gold nugget. This nugget attracts the attention of a man named McCracken who, with his gang, secretly follows Garrett across the desert in the hope of finding the source of his gold. Garrett joins up with his partner, Jim Rainbolt, and together they manage to hold off McCracken's gang long enough to hide their gold before seeking refuge in the hacienda of a landowner named Gondora. Gondora soon finds out about the gold, however, and Rainbolt and Garrett now find themselves in a fight to save their gold and their lives as well. Written by
The film's company was based in Moab, Utah during the shooting - much of which took place inside nearby Arches National Park. See more »
When Jim Rainbolt (Clint Walker) and Shaun Garrett (Roger Moore) slide a little ways down the mountain and each hide behind their own boulder to confront their pursuers, they raise a cloud of dust. Immediately after stopping behind their respective boulders, they are both shown individually in close-up peering from behind the boulders with no dust around them at all, and immediately after that they are both shown again in the same frame behind their boulders with the dust cloud all around them that they had just raised. See more »
Doc Wilson Gates, MD:
You're kinda fond of that young feller, ain't ya?
Sort of used to him after three years. He's got a knack for getting us into trouble and his mouth is too big for his size sometimes, but there ain't nobody I'd rather have backing me.
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Clint Walker probably does not jump to anyone's mind anymore when thinking about B-Western stars, but he is worth remembering. Although a mammoth of a man, his characters tend to be genial and soft-spoken - imagine an appealing combination of Paul Bunyan and Henry Fonda. Too bad he didn't make more Westerns than he did.
In "Gold of the Seven Saints", Walker and his partner Roger Moore are on the run, trying to escape basically everyone else, because the partners are carrying a large amount of gold that everyone wants a piece of. Walker never loses his cool when things go wrong, as they often do here. In a beautiful, and perhaps deliberate, contrast to the potential explosive violence contained in his titanic frame, Walker reacts to the wrong turns fate throws at him with a laconic acceptance that is pleasingly understated. His innately kindly and gentle personality always shines through. A very likable hero indeed.
I am not sure Roger Moore was the best pick for this Western. His accent keeps changing, especially early in the film, until at some point he is definitively identified as Irish. And he definitely comes in a distant second in the battle of the chests: Walker's massive upper body dominates the screen, and Moore's hairless average looking torso contrasts poorly.
The dialogue mostly avoids becoming to clichéd, and the action avoids unnecessary subplots, focusing relentlessly on Walker and Moore's striving to attain apparently unattainable safety and peace of mind. The camera-work is in spectacular black and white, with almost the whole movie shot outdoors in the desert, where majestic mesas and scrub brush dominate the landscape.
One interesting moment occurs when Chill Wills, having just induced the delivery of a baby by blowing snuff up the mother's nose, says something along the lines of "it is amazing what wonderful things you can do with snuff!" Fans of Terry Gilliam will recognize an eerie similarity between this line and the one Gilliam's Baron Munchaussen delivers, "I have found that a modicum of snuff can be most efficacious!"
Overall, this is a fine and satisfying way to spend an hour and a half in the West.
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