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Girl on the Run (1953)

5.2
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Ratings: 5.2/10 from 51 users  
Reviews: 6 user | 4 critic

Police investigate a murder that occurred in a burlesque theater.

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Title: Girl on the Run (1953)

Girl on the Run (1953) on IMDb 5.2/10

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Cast

Complete credited cast:
Richard Coogan ...
Rosemary Pettit ...
Janet
...
Hank
Harry Bannister ...
Clay Reeves
Edith King ...
Lil
Charles Bolender ...
Blake
George Marsh ...
Managing Editor
Rest of cast listed alphabetically:
Renee De Milo ...
Gigi
Scott Hale ...
Policeman
John Krollers ...
Red
Marlow ...
Burlesque Girl
Mike O'Dowd ...
Bat
Joseph Sullivan ...
Marty
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Storyline

Police investigate a murder that occurred in a burlesque theater.

Plot Summary | Add Synopsis

Plot Keywords:

independent film | See All (1) »

Taglines:

Gorgeous Girls in the Hottest Burlesque Your Eyes Have Ever Seen See more »

Genres:

Crime | Mystery

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Details

Country:

Language:

Release Date:

15 December 1953 (USA)  »

Also Known As:

Honky Tonk Burlesque  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)
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Did You Know?

Trivia

Steve McQueen's first film. See more »

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Featured in Steve McQueen: The Essence of Cool (2005) See more »

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User Reviews

 
Curiously captivating carnival noir
27 September 2013 | by (United States) – See all my reviews

One of several worthy discoveries in Something Weird Video's "Weird Noir" set, and the most formally interesting of the bunch. "Girl on the Run" obeys the classical unities of action (one plot, which is all you have time for in 64 minutes), time (it all takes place in one evening), and place (it is set entirely inside a traveling carnival's grounds). The film is spatially fascinating: you really get a sense of how a carnival can pack a lot of activities into a smallish area, and how, out of direct sight of the public, the "inner world" of the carnival company can go on vigorously despite there being no apparent physical room for it. The sound design is dense and realistic and lends a high degree of verisimilitude to the film's texture.

"Girl on the Run" is bookended by an excellent night-time opening shot of the carnival and its Ferris wheel from a medium distance, very atmospheric, and a great closing shot of a laughing mechanical clown. Some thought went into the presentation here.

On the debit side, the acting is fairly ordinary, although protagonist Richard Coogan - television's first Captain Video - is certainly a handsome, energetic chap. The storyline is nothing special either. And yet the very standardness of these elements throws the more innovative aspects of the movie into higher relief, and the overall result is highly watchable.

I encourage any film history student or scholar looking for an offbeat candidate for detailed analysis to take a look at this movie; I think you might see rich possibilities in it.


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