IMDb > Stop Me Before I Kill! (1960)

Stop Me Before I Kill! (1960) More at IMDbPro »The Full Treatment (original title)


Overview

User Rating:
6.1/10   237 votes »
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Down 17% in popularity this week. See why on IMDbPro.
Director:
Writers:
Ronald Scott Thorn (novel)
Val Guest (screenplay) ...
(more)
Contact:
View company contact information for Stop Me Before I Kill! on IMDbPro.
Release Date:
October 1960 (UK) See more »
Genre:
Tagline:
A diabolical new technique in suspense!
Plot:
After surviving a traumatic car accident, a race car driver travels to the Cote D'Azur to recover but is plagued by an urge to strangle his wife. Full summary » | Add synopsis »
NewsDesk:
(4 articles)
Diane Cilento obituary
 (From The Guardian - Film News. 7 October 2011, 4:09 PM, PDT)

Six 'Hammer Film' Classics Coming to DVD
 (From Horrorbid. 21 January 2010, 6:20 PM, PST)

Hammer Films Icons of Suspense Coming to DVD
 (From Dread Central. 21 January 2010, 5:30 PM, PST)

User Reviews:
"Stop blinding me with science!" See more (7 total) »

Cast

  (in credits order)
Claude Dauphin ... David Prade

Diane Cilento ... Denise Colby
Ronald Lewis ... Alan Colby
Françoise Rosay ... Madame Prade
Bernard Braden ... Harry Stonehouse
Katya Douglas ... Connie
Barbara Chilcott ... Baroness de la Vailion
Anne Tirard ... Nicole
Edwin Styles ... Doctor Roberts
George Merritt ... Mr. Manfield

Directed by
Val Guest 
 
Writing credits
Ronald Scott Thorn (novel "The Full Treatment")

Val Guest (screenplay) and
Ronald Scott Thorn (screenplay)

Produced by
Val Guest .... producer
Victor Lyndon .... associate producer
 
Original Music by
Stanley Black 
 
Cinematography by
Gilbert Taylor (director of photography)
 
Film Editing by
Bill Lenny 
 
Art Direction by
Anthony Masters  (as Tony Masters)
 
Set Decoration by
Scott Slimon 
 
Costume Design by
Beatrice Dawson (costumes by)
 
Makeup Department
Ivy Emmerton .... hairdresser
Tony Sforzini .... makeup artist
 
Production Management
Clifton Brandon .... production manager
 
Second Unit Director or Assistant Director
Kip Gowans .... assistant director
 
Sound Department
Bert Ross .... sound recordist
 
Visual Effects by
O.T. Hight .... visual effects artist (remastered version)
Vic Margutti .... special photographic effects (uncredited)
 
Camera and Electrical Department
Moray Grant .... camera operator
 
Music Department
Stanley Black .... conductor
 
Other crew
Doreen Dearnaley .... continuity
 

Production CompaniesDistributors

Additional Details

Also Known As:
"The Full Treatment" - UK (original title)
See more »
Runtime:
120 min | USA:93 min (cut) | USA:107 min (Screen Gems print)
Country:
Language:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Mono (RCA Sound Recording)
Certification:
Company:

Did You Know?

Trivia:
At 120 minutes, "The Full Treatment" was Hammer's longest film to date.See more »
Quotes:
Connie:[Screaming] Ahhhhhhh!
Harry Stonehouse:[Annoyed] Now what?
Connie:A spider!
David Prade:Oh, it's quite harmless... unless you're a male spider. This is a female.
Connie:You sure have good eyesight!
David Prade:No, the male is always small, and, in case you're interested, he gets eaten by the female after he has performed his necessary function.
Baroness de la Vailion:[In French] Ooo lala!
David Prade:Ah, you know, women tend to do the same thing.
Baroness de la Vailion:I must say I have never tried it.
David Prade:[laughs] I mean mentally and psychologically.
[...]
See more »

FAQ

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1 out of 1 people found the following review useful.
"Stop blinding me with science!", 26 October 2013
Author: moonspinner55 from las vegas, nv

Psychological thriller from producer-director Val Guest could perhaps use more thrills and less psychology. Racecar driver fights against getting psychiatric help after a road accident--which killed the other driver--has left him badly shaken; his spouse begs him to reconsider, particularly after she becomes the target of her husband's subconscious rage. Adaptation of Ronald Scott Thorn's novel "The Full Treatment" (the movie's alternate title), by Thorn and Guest, has some tart dialogue and solid performances, and looks great as photography by Gilbert Taylor, but the midsection of the film is redundant. Guest turns the plot-screws with careful deliberation, but is too slow in getting this web untangled. **1/2 from ****

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