IMDb > Flaming Creatures (1963)

Flaming Creatures (1963) More at IMDbPro »


Overview

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5.3/10   482 votes »
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Director:
Release Date:
29 April 1963 (USA) See more »
Genre:
User Reviews:
A barbaric Dionysian See more (8 total) »

Cast

  (in credits order)
Francis Francine ... Himself
Sheila Bick ... Delicious Dolores
Joel Markman ... Our Lady of the Docks
Mario Montez ... The Spanish Girl (as Dolores Flores)
Arnold Rockwood ... Arnold (as Arnold)

Judith Malina ... The Fascinating Woman
Marian Zazeela ... Maria Zazeela
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Directed by
Jack Smith 
 
Cinematography by
Jack Smith 
 
Second Unit Director or Assistant Director
Marc Schleifer .... assistant director
 
Sound Department
Tony Conrad .... sound recordist
 
Other crew
Dick Preston .... special assistant
 

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Additional Details

Also Known As:
Runtime:
45 min
Country:
Language:
Sound Mix:

Did You Know?

Trivia:
Seized by NYC Police at the premiere, this film was officially determined to be obscene by a NY Criminal Court.See more »
Quotes:
[first lines]
Francis Francine:Today Ali Baba comes. Ali Baba comes today.
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Movie Connections:
Soundtrack:
It Wasn't God Who Made Honky Tonk AngelsSee more »

FAQ

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4 out of 13 people found the following review useful.
A barbaric Dionysian, 26 June 2005
Author: Gerard Gerard from France

I've just seen the movie and his first (only ?) quality is to make me writing my first commentary here. Like a previous writer here, I have nothing against avant-garde especially transgressional one but I think we are in this picture far away from an interesting point of view on the subject of eroticism or whatever the purpose is. On such works as Bataille's books or Bunuel's movies, the transgression was upon the things we're hiding when our representation is giving us something to look at (and eroticism is only one of the way to reveled the invisible and constitutive side of art) ; and I think jack smith made a huge mistake with this "cliché" orgiac scenes where everything is explicitly directed to "shock the bourgeois". The line about the lipstick on the male attribute is just the first wave of the so-called sexual "liberation" which is only a new way to stay under the alienation of what is obvious. This film has probably an historical interest but it's the better way to have no artistic one. ps : sorry for my English which is not fluent.

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I havn't just watched a film with rape in it have I? rayincumbria
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