Having placed mines on the hull of a British warship whilst it is safe in harbour during the second World War, the two man crew of an Italian miniature submarine are captured and held ... See full summary »
Violette Bushell is the daughter of an English father and a French mother, living in London in the early years of World War 2. She meets a handsome young French soldier in the park and ... See full summary »
When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
In wartime a young officer is killed during a raid to kill a German general at the house that used to belong to his grandmother. Before he dies he talks about a treasure that was hidden ... See full summary »
A union leader in a large company tries to win equal rights for the handful of West Indian workers at the company, but finds it is an uphill battle. After being successful, and rightly proud of his efforts, he finds that he and his wife have a difficult time coming to terms with the fact that his only daughter intends to marry a West Indian. Written by
Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>
Sort of like a British version of "Guess Who's Coming to Dinner".
This film is a very enjoyable and courageous film about racism in London in the early 1960s. Apparently, there was a lot of negative feeling towards West Indians living there--and it's all quite similar to the feelings in much of the US at the same time.
The first portion of the film involves workers and their union. A major problem is that a lot of white workers are resentful of blacks--especially when they are placed in positions of authority. One of the union reps, Jacko Palmer (John Mills), believes in promoting people according to their merits--and goes to bat for these people.
Ironically, at the same time this is happening, Jocko's daughter is dating a Jamaican man. She is uneasy about how people will treat her but she loves the man and wants to marry him. When she tells her 'liberal-minded family', they show themselves to by hypocritical butt-heads--and the mother is truly vile in the way she talks about blacks and shows herself to be a shameful mother. How is all this to work out by the end of the film?
I liked the film and appreciate that it didn't pull its punches. I love "Guess Who's Coming to Dinner?" but at times it did seem a bit too sanitary and 'nice'. In contrast, this British film used extremely disturbing and graphic language--and better showed the ugliness of racism. Well worth seeing.
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