| Photos (See all 10 | slideshow) |
| Reg Park | ... | Ercole (Hercules) | |
| Fay Spain | ... | Queen Antinea of Atlantis | |
| Ettore Manni | ... | Androclo, Re di Tebe | |
| Luciano Marin | ... | Illo | |
| Laura Efrikian | ... | Ismene, Antinea's Daughter (as Laura Altan) | |
| Enrico Maria Salerno | ... | Re di Megara | |
| Ivo Garrani | ... | Re di Megalia | |
| Gian Maria Volonté | ... | Re di Sparta | |
| Mimmo Palmara | ... | Astor, il Gran Visir | |
| Mario Petri | ... | Zenith, prete di Urano | |
| Mino Doro | ... | Oraclo | |
| Salvatore Furnari | ... | Timoteo, il nano | |
| Alessandro Sperli | ... | King with Mother | |
| Mario Valdemarin | ... | Gabor | |
| Luciana Angiolillo | ... | Deianira, Hercules' Wife | |
| Maurizio Coffarelli | ... | Proteus the Monster | |
| Leon Selznick | ... | Narrator, U.S. Version (voice) | |
| rest of cast listed alphabetically: | |||
| Tullio Altamura | |||
| Raf Baldassarre | ... | Capo delle guardie | |
| Ignazio Dolce | |||
| Nando Tamberlani | ... | Tiresia | |
| Jimmy il Fenomeno | ... | Man in Tavern Fight #2 (uncredited) | |
| Nazzareno Zamperla | ... | Man in Tavern Fight (uncredited) | |
Directed by | |||
| Vittorio Cottafavi | |||
Writing credits | ||
| Vittorio Cottafavi | and | |
| Sandro Continenza | and | |
| Duccio Tessari | ||
| Pierre Benoît | character | |
| Nicolò Ferrari | (as Archibald Zounds Jr.) | |
| Nicolò Ferrari | story (as Archibald Zounds Jr.) | |
Produced by | |||
| Achille Piazzi | .... | producer | |
Original Music by | |||
| Gino Marinuzzi Jr. | |||
| Armando Trovajoli | |||
Cinematography by | |||
| Carlo Carlini | |||
Film Editing by | |||
| Maurizio Lucidi | |||
Production Design by | |||
| Franco Lolli | |||
Costume Design by | |||
| Vittorio Rossi | |||
Production Management | |||
| Danilo Marciani | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Giorgio Cristallini | .... | second unit director | |
Art Department | |||
| Italo Tomassi | .... | manager of art department (uncredited) | |
Sound Department | |||
| Umberto Picistrelli | .... | sound | |
Music Department | |||
| Luca di Silverio | .... | soundtrack album producer | |
| Gino Marinuzzi Jr. | .... | conductor | |
| Gordon Zahler | .... | music supervisor: US version | |
| Darrell Calker | .... | composer: stock music US version (uncredited) | |
| Walter Greene | .... | composer: stock music US version (uncredited) | |
| Hans J. Salter | .... | composer: stock music US version (uncredited) | |
| Leith Stevens | .... | composer: stock music US version (uncredited) | |
Other crew | |||
| Hugo Grimaldi | .... | u.s. version producer/editor | |
| Haroun Tazieff | .... | volcano shots | |
| Peter Vander Sloot | .... | choreographer | |
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| Hercules and the Tyrants of Babylon | Hercules Against the Moon Men | Hercules Against the Barbarians | Anthar l'invincibile | Son of Samson |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Italy section |
Before James Bond.
Before Indiana Jones.
There was the Hercules series.
Or at least the series starring Reg Park. These Hercules films were big, colorful, full of action and fun. They are also shockingly maligned, just by looking at the IMDb rating for HERCULES AND THE CAPTIVE WOMEN, which is a joke.
HERCULES AND THE CAPTIVE WOMEN wasn't your average low-budget Sword & Sandal flick. It was shot in Technirama (expensive 70mm) and the look of it, in the widescreen version, is remarkable to say the least: big colorful sets, big cast, big action. The details, in some scenes, is stunning.
The whole production reminds me of old serials where our hero encounters one pitfall after another. HATCW is like the missing link that bridges the gap between old serials of the 1930s/1940s and RAIDERS OF THE LOST ARK. And like James Bond films (DR NO was made a year after this), this Hercules movie is replete with vast cavernous sets which dwarf the cast and are set on the side of spectacle.
CAPTIVE WOMEN has many highlights. My favorite part is when Hercules saves Iseme, daughter of Queen Antinea, from the clutches of Proteus. Psychedelia circa 1961, or psychedelia before psychedelia was in! The surreal look is great and precedes all other films made in the 1960s, including BARBARELLA or even Fellini films, like SATYRICON. In fact, HERCULES AND THE CAPTIVE WOMEN looks like an action film if it had been directed by Fellini. It doesn't shy away from combining odd imagery along with comic book action.
The cast is perfect. Steve Reeves was (and still is) the definitive Hercules but beefy Reg Park fits the bill here. Park is happy just to be an action hero as opposed to Reeves who wanted to be taken seriously as an actor. Fay Spain makes a memorable evil Queen. Laura Efrikian is beautiful as Iseme. Ettore Manni, a familiar face in Peplums and a pretty good actor, lends excellent support as Hercules' best friend, Androcles.
The film itself is not perfect. The story is a tad thin and the stock footage at the end is obviously just footage of an erupting volcano, and it definitely lacks a distinctive score to give the film that extra special character but even so, these things didn't diminish the fun I had while watching it.
HERCULES AND THE CAPTIVE WOMEN is the kind of movie I'll be watching again and again. It just rocks!