Le Doulos (1962) Le doulos (original title)

Director:

Jean-Pierre Melville

Writers:

Pierre Lesou (based on the novel by)
Jean-Pierre Melville (adaptation)

Release Date:

2 March 1964 (USA)

Genre:

Crime | Thriller

Plot:

Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in...

Plot Keywords:

Murder | Death | Ends With Death | Jazz Singer | Rainy Night

Cast

Jean-Paul Belmondo	...	Silien
Serge Reggiani	...	Maurice Faugel
Jean Desailly	...	Commissaire Clain
René Lefèvre	...	Gilbert Varnove (as René Lefevre)
Marcel Cuvelier	...	Un inspecteur
Philippe March	...	Jean (as Aimé De March)
Fabienne Dali	...	Fabienne
Monique Hennessy	...	Thérèse
Carl Studer	...	Kern
Christian Lude	...	Le docteur
Jacques De Leon	...	Armand
Jacques Léonard	...	Un inspecteur (as Jack Leonard)
Paulette Breil	...	Anita
Philippe Nahon	...	Remy
Charles Bayard	...	Le vieil homme
Daniel Crohem	...	Inspector Salignari
Charles Bouillaud	...	Barman
Michel Piccoli	...	Nuttheccio
rest of cast listed alphabetically:
Andrès	...	Maitre d'Hotel (uncredited)
Robert Blome	...	Barman (uncredited)
Volker Schlöndorff	...	L'homme dans la barre (uncredited)
Georges Sellier	...	Barman (uncredited)
Dominique Zardi	...	Un homme de Nuttecchio (uncredited)

Directed by
Jean-Pierre Melville

Writing credits
Pierre Lesou		(based on the novel by)
Jean-Pierre Melville		(adaptation)

Produced by
Georges de Beauregard	....	producer (as Georges De Beauregard)
Carlo Ponti	....	producer

Original Music by
Paul Misraki

Cinematography by
Nicolas Hayer		(director of photography)

Film Editing by
Monique Bonnot

Production Design by
Daniel Guéret		(as Daniel Gueret)

Art Direction by
Daniel Guéret		(as Daniel Gueret)

Set Decoration by
Pierre Charron

Production Management
Georges de Beauregard	....	production manager (as Georges De Beauregard)
Jean Pieuchot	....	unit manager
Roger Scipion	....	unit manager

Second Unit Director or Assistant Director
Charles L. Bitsch	....	associate director (as Charles Bitsch)
Volker Schlöndorff	....	first assistant director (as Volker Schloendorff)

Art Department
Donald Cardwell	....	assistant production designer

Sound Department
Julien Coutelier	....	sound
Jean Gaudelet	....	sound assistant (as Gaudelet)
Victor Revelli	....	sound assistant (as Revelli)

Camera and Electrical Department
André Dubreuil	....	assistant camera
Étienne Rosenfeld	....	assistant camera (as Etienne Rosenfeld)
Henri Tiquet	....	camera operator
Raymond Voinquel	....	still photographer

Editorial Department
Michèle Boëhm	....	assistant editor

Music Department
Jacques Loussier	....	musician: piano-bar
Jacques Métehen	....	conductor (as Jacques Metehen)

Other crew
René Longuet	....	jewels
Élisabeth Rappeneau	....	script girl
Bertrand Tavernier	....	production publicist
Paul Mayersberg	....	runner (uncredited)

Production Companies

• Compagnia Cinematografica Champion
• Rome Paris Films

Distributors

• StudioCanal (2005) (France) (DVD)
• Pathé Contemporary Films (1964) (USA) (theatrical) (subtitled)
• Criterion Collection, The (2008) (USA) (DVD)
• Kinowelt Home Entertainment (2010) (Germany) (DVD)

Other Companies

• Éditions Gallimard  book publisher
• GTC Joinville  laboratory
• Hortensia  music edition

Also Known As:

"Le doulos" - France (original title)
"Doulos: The Finger Man" - USA

Runtime:

108 min

Country:

France | Italy

Language:

French

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Finland:(Banned) (1965) | Finland:K-18 (1967) | UK:12A | Norway:16 (1963) | Germany:12 (re-rating) (2007) (uncut) | West Germany:18 (original rating) (cut) | Argentina:13 | Singapore:PG | USA:Not Rated

Company:

Compagnia Cinematografica Champion

Goofs:

Revealing mistakes: When Fougel frantically drives in heavy rain to Silien's home, exterior shots of the car show the rain running straight down the door and window, instead of flowing backwards with the wind.

Movie Connections:

References The Asphalt Jungle (1950)

From the King Of the French Gangster Film

Jean Pierre Melville was a brilliant and fatalistic filmmaker who hardly found any recognition by anyone in his own home country except from other filmmakers. Only abroad was he given credit as a film director of exceptional talent. For example, his turn as film director for Le Doulos(1961) exposes him as a filmmaker of three dimensional skills. In films like Le Doulos(1961), things such as expressionism become an essential part of Melville's cannon of films.

Jean Paul Belmondo is one of the most famous French tough guys besides Alain Deleon, and Yves Montond. In a way the Silen character played by the actor can be seen as Michel of Breathless(1960) if Michel had lived and became an informer. Belmondo was one of the coolest actors from French cinema for his time. The person of Silen is hard to pin down because one never knows whose side he is on.

Minor classic of French Noir especially in the 1950s-1960s. There are two reasons why I think it to be. First, the story and plot are compelling to follow. Two, many of the essences of film making is brought together to Le Doulos(1955) with some good film execution and competent screenwriting.

Some ingenious plot twists are used to keep the viewer on his or her toes. These plot twists are done in a manner that makes sense and yet retains some form of unpredicability. They are never used for the sake of using them nor are badly wasted as for instance in Wild Things(1998). The plot twists of Le Doulos(1961) are examples of what was one of many big trademarks in the French gangster picture.

Le Doulos(1961) deals with small time gangsters whose beliefs in honor and loyalty are pretty slim. In the gangster world of Melville the qualities of honor and loyalties are nearly extinct and replaced by betrayal and greed. Almost every character in Le Doulos(1961) is someone who can not be trusted and has a duel nature about them. The director never paints a romantic outlook for the criminals of Le Doulos(1961) and that's what makes it effective as a crime thriller.

Narcissism is a major motif for Le Doulos(1961) especially in the behavior of Silen. In many of Melville's main characters from films such as Le Doulos(1961) and Le Samurai(1967) there is a narcissistic feeling that compensates for the emptyness that surrounds their inner body. This is especially true for the Melville characters of Silen and Jeff whose only loyalties are to themselves. That is one element that makes Jean Pierre Melville a fatalistic filmmaker.

The acting in Le Doulos has its shares of ups and downs depending on an individual actor's performance but for the main two the acting is quite good. Jean Paul Belmondo exhibits his strength as an actor in playing the informer, Silen. Serge Reggiani as Maurice Faugel plays his character with a dogged tiredness that is reminicent of Jean Servais's performance in Rififi(1955). Contains a small co starring role for Michel Piccoli who became a major leading actor for many well known film directors including Luis Bunuel, Jean Luc Godard, and Claude Chabrol.

Might be the most underrated picture of Jean Pierre Melville's gangster motion pictures. Does not get the same acclaim as the director's best..I.E., Bob Le Flambeur(1955), Le Samurai(1967), or even Le Cercle Rouge(1970). Le Doulos(1961) has many themes that Jean Pierre Melville return over and over again in his crime films. It is very good at developing tension that bursts open like a cantaloupe.

Le Doulos's direction gets some terrific visual ques from Melville as well as a tight execution of plotting. Jean Paul Belmondo was Jean Pierre Melville's second alter ego after Alain Delon which helped make them into a great actor-director combo. The Paris locations are beautifully breathtaking and fantasticly pictured on film for Le Doulos(1961). The camera and the black and white photography contributes to making the locations a main part of the action.

German film director, Volker Schlondorf first worked in films as an assistant director like Le Doulos(1961) for Jean Pierre Melville(1961)[Volker Schlondorf must have been heavily influenced by Melville when later becoming a film director himself]. The heist sequence of Le Doulos(1961) is not quite on the grandeur level of Rififi(1955) but does fine on its own in a low key way. The ending deals with redemption and the price the two character suffer for achieving their goal of redemption. Le Doulos(1961) is a French variation of John Ford's The Informer(1935) that uses different ideas and, different results, and different plot importances.