Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend ... See full summary »
In a snowball fight between schoolboys the handsome Dargelos hits the chest of Paul, who drops unconscious to the ground. Paul has a deep affection for Dargelos, and later denies that there... See full summary »
Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend Silien brings him the needed equipment. But Silien is a police informer ... A movie whose "all characters are two-faced, all characters are false", according to director Jean-Pierre Melville. Written by
When the first murder takes place, a lamp on a long cord is knocked from a table. In the next shot, it's swinging in a different direction than it did when it fell, and much more vigorously than it would have been possible. See more »
Trust no one in this convoluted French New Wave thriller, which (on its surface) seems to concern an ex-con who suspects a former partner of duplicity. Every character in the film is looking to double-cross someone, but in the end only the audience is successfully hoodwinked, fooled into attempting to unravel a confusing tangle of unexplained and seemingly unmotivated events, before the jigsaw scenario is cleverly assembled in retrospect. It takes a certain mental alacrity to keep pace with who is plotting what to whom (and why), but the wide-awake will be rewarded with a satisfying solution, although perhaps the final scenes take advantage of one irony too many. Without its complex narrative structure the film would be a more or less straightforward plagiarism of American B-movie crime drama conventions, proving yet again how a skillful imitation can make even the most familiar material fresh again.
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