An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s. It starts with a 1905 look at French comedy, goes through the 1910s with ...
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A compilation of scenes from classic MGM comedies from the silent era up to 1948's "A Southern Yankee." Among the films showcased are "The Thin Man," "A Night at the Opera," "Dinner at ... See full summary »
The Marx Brothers
In Hong Kong, the wealthy Ogden Mears is traveling in a transatlantic and is near to be assigned Saudi Arabia Ambassador and is divorcing from his wife Martha. His friend Harvey and he are ... See full summary »
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s. It starts with a 1905 look at French comedy, goes through the 1910s with Sennett, Chaplin, and Fairbanks, and into the 1920s with Max Roach, Snub Pollard, Harry Langdon, Al St. John, Charlie Chase, and the teaming of Laurel and Hardy. Thrillers feature Houdini and serials, with special attention to Pearl White, Ruth Roland, and Monty Banks. The film often lets the silent pictures speak for themselves, running entire one-reelers or significant chunks of an old movie. Written by
This film makes extensive use of Chopin's "Tristesse" and Franz Von Suppe's "Morning, Noon and Night in Vienna". See more »
(At 1:08)The opening credits misspell 'Charley Chase' as "Charlie Chase." See more »
This is one of those revolution-torn republics, where mothers scare their kids by telling them they'll someday be President. Wiliest of the bomb-dodgers is El Presidente Snub Pollard. The year is 1922, which shows how little times have really changed.
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"Days of Thrills and Laughter" opens with what the narrator calls "the first double-feature title" in which the opening credits are shown on the right-hand side of the screen while an excerpt from the 1922 Snub Pollard comedy "The Movies" is displayed on the left.
When the credit for the film's composer-conductor appears, the narrator calls out, "Hold it!" and both sides of the frame freeze. "OK, bring up that name," intones the narrator, as "Jack Shaindlin" expands to nearly the full width of the frame. The narrator declares, "That's enough!," the name shrinks back to its original size, and the movie starts up again, with the narrator explaining, "Sorry, folks, it's in his contract."
At the end of the credits sequence, the movie freezes once again so producer-writer Robert Youngson's name can do a cartwheel while expanding to large size. To which the narrator exclaims, "What a showoff! Take Youngson down - all the way down!" as the name shrinks and disappears. See more »
Unsatisfying compilation, but the best bits are cherishable.
Robert Youngson compilation of excerpts from silent movies. The 'thrills' feature some bizarre Hollywood action films, daredevil stunts, villainous villains, terrifying cliffhangers, hurtling trains, impassive heroes and knowing, smiling, up-for-it heroines. The 'laughter' is by far the most pleasurable section, recovering sadly obscure comics such as Snub Pollard, and paying testament to their bounteous invention, thoughtfulness and sheer good humour. The presentation of the film grates, especially with a narrator far too pleased with himself.
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