"Punishment Park" is a pseudo-documentary purporting to be a film crews's news coverage of the team of soldiers escorting a group of hippies, draft dodgers, and anti-establishment types ... See full summary »
Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction in the experiment causes the man to ... See full summary »
The timely story of a normal family disintegrating under financial pressure, eventually driven to the unimaginable. We witness the terrifying events unfold through daughter Judith's video camera, which subsequently becomes Exhibit A.
Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange ... See full summary »
Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.
15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike... See full summary »
Karl Michael Vogler
Hysterical panic has engulfed the world after the United States and the Soviet Union simultaneously detonate nuclear devices and have caused the orbit of the Earth to alter, sending it hurtling towards the sun. Written by
1961's "The Day the Earth Caught Fire" must be judged according to the parameters of classics as 1951's "The Day the Earth Stood Still", and not today's special effects mega productions in which the perspective of the disappearance of planet Earth is taken with cynic humor. The idea came to director Val Guest during the Cold War in 1954, and it is under that decade's spirit that the movie is better appreciated. I remember seeing it when it opened, and I've never forgotten that experience, specially its tinted sequence. Forty-three years later I am able to see it again, and it's still the same notable film, not the least affected by today's cinematic technology, because, in its core, Guest's motivation -the worry for the actions of mindless men who struggle to control the Earth- is still relevant. If it's not highly regarded today as "The Day the Earth Stood Still", I think it has to do with the fact that Universal sold it as a B movie in America (though not so by British Lion in the UK, where it was a huge success, and won the film industry's top prize for its screenplay) and because not too many critics paid attention to it and wrote positive reviews, establishing it as an important science-fiction movie since then. Although there are very few re-enacted disaster scenes and it relies upon footage of real catastrophes, the tension is handled effectively in the newspaper's office where most of the action takes place, with its overlapping dialogues and constant flow of new information; and in the development of the romantic story in the midst of violence and terror in the streets. Edward Judd, Janet Munro and Leo McKern contribute good performances to this fine movie, shot in Dyaliscope.
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