William Douglas Street is bored with his life. Working for his father is getting to him, his wife wants more money, and he's had enough. His solution is to re-invent himself. He becomes a ... See full summary »
Wendell B. Harris Jr.
Wendell B. Harris Jr.,
Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in... See full summary »
A missile, launched by the team led by Prof. Quatermass, lands in the English countryside. Of the three members of the crew, two have mysteriously disappeared. The third one, barely alive, ... See full summary »
When John Harris's daughter is badly injured in an boating accident, the hospital tells him that she will need an urgent blood transfusion. Due to his religious beliefs Harris refuses ... See full summary »
A shower of meteorites produces a glow that blinds anyone that looks at it. As it was such a beautiful sight, most people were watching, and as a consequence, 99% of the population go blind... See full summary »
Hysterical panic has engulfed the world after the United States and the Soviet Union simultaneously detonate nuclear devices and have caused the orbit of the Earth to alter, sending it hurtling towards the sun. Written by
At about 45:20 into the movie the actress portraying Jeannie Craig (Janet Munro) steps from the shower and wraps herself in a towel. The image in the mirror at the right of the screen reflects her nude breasts. This movie was shown here in America in the early sixties. Although that type of scene was common in Europe; one wonders if the American censors deleted that portion of the movie. See more »
Only the extreme left-hand side of Peter Stenning's article "If you find your TV set has developed a nasty measle rash" is about sunspots, as per the dialogue. The remainder is a review of a newly-released book on jazz, referencing John Dankworth and Benny Green. See more »
[Maguire is on the phone to the editor after a pile of letters about nuclear tests is dumped on his desk]
What am I supposed to do with these protest letters?
Thank you very much but there are seventeen hundred of them.
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There are no end credits whatsoever (not even a "The End" caption); merely a fade to black. See more »
After more than forty years, this film is still a milestone in the science fiction genre. In its day, it was years ahead of its time. It had characters that acted like real people, instead of like John Agar and Lori Nelson. It contained a clearly implied sexual relationship between the two main characters, in an era when filmmakers were still routinely depicting even married couples as sleeping in separate beds. It was filled with shocking insinuations that the government is not all-wise and benevolent, that science doesn't really have all the answers, that the military is capable of blunders that put new meaning into the phrase "friendly fire," and that all may not be well, after all.
The film's greatest strength is in its understated, matter-of-fact presentation of the characters' various reactions to the relentlessly deteriorating situation. The performances are consistently honest and compelling, from the principal players down to the smallest walk-on parts. The award-winning script by Wolf Mankowitz is at times almost too clever for its own good. If there is one criticism that may be leveled against it, it is that most real people are not that consistently witty. Occasionally they are at a loss for words. Occasionally they say things that are lame, stupid, and altogether inappropriate. And this is the one element that was pretty much absent from the dialogue.
In an age when movies are being strangled to death by their own special effects, and character development often does not extend beyond the crudest bodily functions and four-letter expletives, it is genuinely refreshing to return to a film such as this one. Not only does it not rely on visual effects to tell its story, it is really so little dependent on the visual that it could have been equally successful as a radio drama (a forgotten art form nowadays), and might very well have caused an even greater panic than Orson Welles' "War of the Worlds."
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