The highlights of a 12-hour interview with Aaron Payne, alias Jason Holliday, a former houseboy, would-be cabaret performer, and self-proclaimed hustler who, while drinking and smoking ... See full summary »
Filmmaker Shirley Clarke ("The Connection") directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a ... See full summary »
At the time of this film, the Bowery was a neighborhood in New York City populated largely by the down and out, and largely by transients. Those that can work generally can only find short ... See full summary »
"Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a... See full summary »
Ornette: Made In America captures Ornette's evolution over three decades. Returning home to Fort Worth, Texas in 1983 as a famed performer and composer, documentary footage, dramatic scenes... See full summary »
Fort Worth Symphony Orchestra
Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two ... See full summary »
Diagnosed with an autoimmune disease, journalist Shannon Harvey went in search of the missing link in healthcare. Featuring interviews with leading scientists The Connection proves we have more to say about our health than we thought.
Eight drug addicts are waiting for their connection in a New York apartment belonging to Leach. Jim Dunn, a budding filmmaker, has agreed to pay for the fix if the addicts will allow him to film the connection scene. After the men get their shots, they talk Dunn into trying heroin in order to understand the subject "first hand." He becomes ill and while sleeping, Leach takes an overdose that puts him into a coma. Dunn recovers, with the aid of the connection, and writes off the film as a failure. Written by
Jack Gelber's play, "The Connection" ran in London not long after its run in New York, with the same cast and same musicians. The film follows the play faithfully: it couldn't really be any other way. I much preferred the play, mainly because of its immediacy and its intimacy as the action unfolds right before your eyes, especially when the 'connection' arrives', and one by one, the players disappear into the bathroom. I don't for one second believe that the actors actually injected themselves, but on stage, the feeling is that they were doing just that. Don't get me wrong, Shirley Clarke's film of Gelber's play is a brilliant testament of how to make a film about a bunch of guys sitting around in one room (most of the time), waiting for their 'connection', without becoming bored or jaded. In fact, the film is on some levels, better than the play. For a start, if you are a fan of jazz and Jackie McLean in particular, you got to see lots close-ups of the band in full flight. Shirley Clarke was/is, one of the many underrated film directors around. If you liked "The Connection" (though 'like' isn't really the correct verb here), her documentary, "Portrait Of Jason" is another gem to seek out.
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