In 'Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays the fictional tenor sax player Dale Turner, a musician slowly losing the battle with alcoholism, estranged from ... See full summary »
A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe's ... See full summary »
Gangster's moll Honey Swanson goes into hiding when her boyfriend is under investigation by the police. Where better to hide than a musical research institute staffed entirely by lonely ... See full summary »
Interview with Jason Holliday aka Aaron Payne, house boy, would be cabaret performer, and self proclaimed hustler giving one man's gin-soaked pill-popped, view of what it was like to be ... See full summary »
Rebel without a cause or a clue at an elite but uptight High School discovers some of his classmates have formed an even more elite clique more or less hell-bent on ridding the school, and ... See full summary »
J. Eddie Peck,
The acclaimed poet is examined in this film completed just prior to his death at age 88, with his speaking engagements at Amherst and Sarah Lawrence Colleges intercut with studies of his ... See full summary »
John F. Kennedy,
Filmmaker Shirley Clarke ("The Connection") directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a ... See full summary »
Eight drug addicts are waiting for their connection in a New York apartment belonging to Leach. Jim Dunn, a budding filmmaker, has agreed to pay for the fix if the addicts will allow him to film the connection scene. After the men get their shots, they talk Dunn into trying heroin in order to understand the subject "first hand." He becomes ill and while sleeping, Leach takes an overdose that puts him into a coma. Dunn recovers, with the aid of the connection, and writes off the film as a failure. Written by
I first saw this movie in 1963 by hassling the cashier into selling me a ticket though I was under 18. I can't remember what I expected, but it was so interesting to me that I came back with a couple of underage friends--and got in again. This is a very sophisticated film not only for its time, but for now. There is no surprise ending or plot twist, but the use of the film-within-a-film allows the characters to relate to the outside world even though all the action takes place within one studio apartment. And what they have to say makes as much sense now as it did then. This is a film that could be re-shot with a minor change of clothing style and would look and sound cutting edge.
While "Traffic", in its glossy, artfully edited, mainstream way, explores the glossy, mainstream life of at least some drug traffickers, "The Connection", in its gritty, black-and-white, hand-held way, explores the gritty, hand-held life of at least some of the customers.
I would recommend this film for anyone who is interested in serious exploration of the drug culture. For people who think "Trainspotting" too mainstream--or at least too narrow in approach. "The Connection", too, is narrow, but it helps round out the picture begun by "Traffic" and"Trainspotting".
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