| Rory Calhoun | ... | Darios | |
| Lea Massari | ... | Diala | |
| Georges Marchal | ... | Peliocles | |
| Conrado San Martín | ... | Thar (as Conrado Sanmartin) | |
| Ángel Aranda | ... | Koros | |
| Mabel Karr | ... | Mirte | |
| Mimmo Palmara | ... | Ares | |
| Roberto Camardiel | ... | Serse | |
| George Rigaud | ... | Lissipu (as Jorge Rigaud) | |
| rest of cast listed alphabetically: | |||
| Álvaro de Luna | |||
| Arturo Cabré | ... | (uncredited) | |
| Alfio Caltabiano | ... | Creonte (uncredited) | |
| Fernando Calzado | ... | Sirione (uncredited) | |
| Antonio Casas | ... | Phoenician Ambassador (uncredited) | |
| Ignazio Dolce | ... | (uncredited) | |
| Félix Fernández | ... | Carete (uncredited) | |
| Rafael Hernández | ... | (uncredited) | |
| Yann Larvor | ... | Mahor (uncredited) | |
| Ángel Menéndez | ... | (uncredited) | |
| Nello Pazzafini | ... | (uncredited) | |
| Gustavo Re | ... | Mercader (uncredited) | |
| Norman Rose | ... | Voice (uncredited) | |
| Carlo Tamberlani | ... | Xenon (uncredited) | |
| José María Vilches | ... | Eros (uncredited) | |
Directed by | |||
| Sergio Leone | |||
Writing credits(in alphabetical order) | ||
| Luciano Chitarrini | ||
| Ennio De Concini | ||
| Carlo Gualtieri | ||
| Sergio Leone | ||
| Luciano Martino | ||
| Ageo Savioli | ||
| Cesare Seccia | ||
| Duccio Tessari | ||
Produced by | |||
| Eduardo de la Fuente | .... | producer | |
| Michele Scaglione | .... | executive producer | |
| Cesare Seccia | .... | producer | |
Original Music by | |||
| Angelo Francesco Lavagnino | |||
Cinematography by | |||
| Antonio L. Ballesteros | (as Antonio Ballesteros) | ||
Film Editing by | |||
| Eraldo Da Roma | |||
Set Decoration by | |||
| Ramiro Gómez | |||
Costume Design by | |||
| Vittorio Rossi | |||
Production Management | |||
| Eduardo de la Fuente | .... | production manager | |
| Cesare Seccia | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roberto Bodegas | .... | trainee assistant director | |
| Yves Boisset | .... | assistant director | |
| Jorge Grau | .... | assistant director | |
| Mahnahén Velasco | .... | assistant director | |
Art Department | |||
| Jesús Mateos | .... | set designer (as Jesus Mateos) | |
| Francisco Rodríguez Asensio | .... | construction (as Francisco Assensio) | |
Special Effects by | |||
| Erasmo Bacciucchi | .... | special effects | |
| Tonino Cacciottolo | .... | sound special effects | |
| Vittorio Galiano | .... | special effects | |
| Francisco Rodríguez Asensio | .... | special effects makeup | |
Camera and Electrical Department | |||
| Emilio Foriscot | .... | director of photography: second unit | |
| Mariano Ruiz Capillas | .... | director of photography: second unit | |
Other crew | |||
| Carla Leone | .... | choreographer (as Carla Ranalli) | |
| Michele Lupo | .... | direction collaborator | |
| Lidia Simoneschi | .... | voice dubbing: Lea Massari | |
| Recent Posts (updated daily) | User |
|---|---|
| My Review of This Fun Peplum Film | jayskitstar |
| Great movie... | clauderm |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Spain section |
Having only see Sergio Leone's The Colossus of Rhodes in a panned-and-scanned TV version before, it's surprising how much more enjoyable the film is when you see it in its proper 'TotalScope' ratio. Where Leone's previous peplum, 1959's dreary and underfunded version of The Last Days of Pompeii, looked like it could have been made by any one of a hundred unimaginatively anonymous Italian directors, Colossus always looks terrific, with a mastery of the widescreen that Leone would take even further in his Westerns. It's a genuinely spectacular affair offering pretty much everything you could want from a peplum not much in the way of muscle men but plenty of corrupt rulers, rebels and conspiracies, torture in the dungeons and the arena, the spectacular destruction of a city in a natural disaster and imported American star Rory Calhoun imitating Victor Mature every time he laughs in profile, which is surprisingly often considering the misfortunes that befall him. Along the way Leone throws in plenty of playful riffs on Hitchcock, with the Colossus itself providing plenty of visual homages to both The Saboteur and North by Northwest. Not a major work by any means but a surprisingly enjoyable one.