5.8/10
184
14 user 2 critic

Claudelle Inglish (1961)

Approved | | Drama | 13 April 1962 (West Germany)
In this tale of a good girl who goes very bad, a beautiful young Southern lady remains faithful to the man she loves while he is away in the military . . . until she gets a letter that he ... See full summary »

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(novel), (screenplay)
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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
...
Clyde Inglish
Will Hutchins ...
...
Jessie Inglish
...
S.T. Crawford
...
Harley Peasley
...
Linn Varner
...
Rip Guyler
...
Rev. Armstrong
...
Josh
...
Charles Henry
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Storyline

In this tale of a good girl who goes very bad, a beautiful young Southern lady remains faithful to the man she loves while he is away in the military . . . until she gets a letter that he has fallen in love with another. Now, donning a tight dress and putting on new makeup, she proceeds to use her allure to seek vengeance by driving the men in her small town wild in their desire for Claudelle Inglish.

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Taglines:

This is Erskine (God's Little Acre) Caldwell's most misbehavin' female...the child-woman who took revenge the only way she knew how. See more »

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

13 April 1962 (West Germany)  »

Also Known As:

Veneno en el alma  »

Filming Locations:

 »

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Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.66 : 1
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Did You Know?

Connections

Referenced in American Pickers: Fill'er Up (2010) See more »

Soundtracks

I May Be Wrong (but I Think You're Wonderful)
(uncredited)
Music by Henry Sullivan
Played at the Senior Dance
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User Reviews

 
Certainly this is a nearly forgotten film that is worth watching.
5 June 2004 | by (New York, NY) – See all my reviews

I remember this film from the very early '60s. In those years we saw a lot of movies at the so-called "grind houses" on West 42nd Street (on both sides of Times Square); the deal, for us, was terrific: a double feature for "never more than 99 cents!" The first film to break that price barrier was Mercouri's NEVER ON Sunday. After her amazing bitchiness in A SUMMER PLACE, Constance Ford was again remarkable in this motion picture. I feel that this film, like too many others, is nearly forgotten today. But, when graduates, with a B.F.A. in Film, Theatre and Television, can look you in the eye and confess that they've "never heard of Marlene Dietrich", what can one expect?! Another one, a 2004 NYU grad, had never heard of THE GLASS MENAGERIE. Perhaps it's not the students but the schools that are failing!


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