IMDb > Chronicle of a Summer (1961)

Chronicle of a Summer (1961) More at IMDbPro »Chronique d'un été (Paris 1960) (original title)

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Overview

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Release Date:
20 October 1961 (France) See more »
Genre:
Tagline:
The key work of the controversial new school of CINEMA-VERITE
Plot:
Real-life individuals discuss topics on society, happiness in the working class among others and with... See more » | Add synopsis »
User Reviews:
Cinéma vérité See more (12 total) »

Cast

 
Angelo ... Himself
Régis Debray ... Himself (as Régis)
Jacques ... Himself
Jean-Pierre ... Himself
Landry ... Himself
Marceline Loridan Ivens ... Herself (as Marceline)
Edgar Morin ... Himself
Marilù Parolini ... Herself (as Mary-Lou)
Jean Rouch ... Himself
Sophie ... Herself

Directed by
Edgar Morin 
Jean Rouch 
 
Produced by
Anatole Dauman .... producer
 
Original Music by
Pierre Barbaud 
 
Cinematography by
Michel Brault 
Raoul Coutard 
Roger Morillière 
Jean-Jacques Tarbès 
 
Film Editing by
Néna Baratier 
 
Sound Department
Michel Fano .... sound
Guy Rophé .... sound
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Chronique d'un été (Paris 1960)" - France (original title)
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Runtime:
85 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
Filming Locations:

Did You Know?

Movie Connections:
References Man with a Movie Camera (1929)See more »

FAQ

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10 out of 13 people found the following review useful.
Cinéma vérité, 24 April 2007

By 1960 the documentary had evolved with new sound equipment and lighter cameras. In a direct line from the ideas of Flaherty and Vertov, Canadian filmmakers as Michel Brault had made significant shorts as "Les raquetteurs" (1959), while in the United States Robert Drew created his seminal work, "Primary" (1960.) All this activity helped the launching of "cinéma vérité" in France, with this film manifesto made by anthropologist Jean Rouch and sociologist Edgar Morin. With a "caméra vivant" (living camera) and the question "Are you happy?", they went out to the streets of Paris to make a survey, showing passages in the life of students, workers and migrants (including Joris Ivens' future wife), with a short escapade to the St. Tropez beach, and a final confrontation of the creators and subjects with the footage and the idea of constructing objective pieces of reality on film. Rouch and American Frederick Wiseman believed in a kind of documentary open to emotional spaces and fantasy (as opposed, for example, to Richard Leacock's more naturalistic approach), and eventually changed the tone of their works, while the movement finally identified with the concept of "direct cinéma", developed by Canadians and American filmmakers.

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Related Links

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IMDb Documentary section IMDb France section

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