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Chronicle of a Summer (1961)

Chronique d'un été (Paris 1960) (original title)
Not Rated | | Documentary | 20 October 1961 (France)
Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. ... See full summary »

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Cast

Credited cast:
Angelo ...
Himself
Nadine Ballot ...
Herself (as Nadine)
Régis Debray ...
Himself (as Régis)
Jacques ...
Himself
Landry ...
Himself
Marceline Loridan Ivens ...
Herself (as Marceline)
Edgar Morin ...
Himself
Marilù Parolini ...
Herself (as Mary-Lou)
Jean Rouch ...
Himself
Jean-Pierre Sergent ...
Himself (as Jean-Pierre)
Sophie ...
Herself
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Storyline

Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. Later on, the individuals discuss the images created with their own words and see if the movie obtained their level of reality. Written by Rodrigo Amaro

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The key work of the controversial new school of CINEMA-VERITE

Genres:

Documentary

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

20 October 1961 (France)  »

Also Known As:

Chronicle of a Summer: Paris, 1960  »

Filming Locations:

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Connections

Followed by Un été +50 (2011) See more »

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User Reviews

 
A Moving Ethnography of Human Interraction
5 March 2009 | by (United States) – See all my reviews

This film is incredibly poignant and essential in understanding the history of documentary film-making. Set in 1960's France during the Algerian War (France's equivalent of Vietnam), the viewer is taken on the journey of the lives of some incredibly interesting young adults. The film begins by reeling interviewees in with the simple question, "Are you happy?" Of course this is only a spring board for the subjects to invite us into their lives. Race relations, holocaust memories, mental illness, and so much more plague our subjects, both creating fear and excitement within the viewer. Not to mention there is a very cool, very unique ending, ala Robert Flaherty. Not to be missed.


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