Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Karen Wright and Martha Dobie are best friends since college and they own the boarding school Wright and Dobie School for Girls with twenty students. They are working hard as headmistresses and teachers to grow the school and make it profitable. Karen is engaged with the local doctor Joe Cardin, who is the nephew of the powerful and influent Mrs. Amelia Tilford. While the spiteful and liar Mary, who is Amelia's granddaughter and a bad influence to the other girls, is punished by Karen after telling a lie, Martha has an argument with her snoopy aunt Lily Mortar in another room. Lily accuses Martha of being jealous and having an unnatural relationship with Karen. Mary's roommate Rosalie Wells overhears the shouting and tells Mary what Mrs. Mortar had said about her niece. The malicious Mary accuses Karen and Martha of being lesbians to her grandmother and Amelia spreads the gossip to the parents of the students that withdraw them from the school. Karen and Martha lose a lawsuit against ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Screenwriter John Michael Hayes was so faithful to Lillian Hellman's play that large chunks of the dialogue are identical to the dialogue in These Three (1936), the 1936 film version of The Children's Hour, for which Lillian Hellman herself wrote the adaptation and screenplay - this, despite the fact that These Three (1936) was a watered-down, censored version of The Children's Hour. See more »
At 1:21:34 Karen moves her hands of Jack's back twice. See more »
Mrs. Lily Mortar:
Any day that he's in the house is a bad day. You can't stand them being together and you're taking out on me. You've always had a jealous, possessive nature even as a child. If you had a friend, you'd be upset if she liked anybody else. And that's what's happening now. And it's unnatural. It's just as unnatural as it can be.
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William Wyler's atmospheric drama has two teachers (Audrey Hepburn and Shirley MacLaine) be accused of lesbianism by a guileful schoolgirl, and then have that rumour ruin their job, their lives and their friendship.
Somewhat of a taboo for the 60s, Wyler bravely tackles the subject with honesty and integrity, and his cast work well to bring the tense atmosphere to us. As the engaged, straight, Miss Wright, Audrey Hepburn suffers commendably, fighting always for the truth as she sees it, and as a result, losing her fiancée. Shirley MacLaine is the more ambiguous character of the two. It is not on whether the allegations were true (it is clear from the off that they are just slander of the worst kind from a bored, vindictive little girl) that the mystery of the film lies, but in whether her character does secretly love Hepburns', as more than a friend.
The children are less apt in their roles. None of them have names worth remembering, but the main one who spreads the rumours does it with such exaggerated facial expressions that it is difficult at times of most intense drama not to laugh, and the other girl, who aids her in the spreading of lies, is also laughable in her "fear." However, if the intention was to make us dislike the children as much as possible, then they have succeeded.
But the message is clear lies of such a powerful decree even if they are spawned off what is guessed to be the truth, will damage others. It's a hefty topic, and one that lacks slightly, due to the censorship of the time, no doubt, but the behaviour and actions of the characters still ring true today the hypocrisy of the kind aunt, the spreading of cruel lies just for fun, the boyfriend's abandonment, and how, at the end of the day, it is always the innocent that suffer, yet some, like Hepburn's character, are brave enough to walk out in the public, with their head held high in the air, because they know they were innocent.
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