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Pigs and Battleships (1961)
"Buta to gunkan" (original title)

7.6
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Ratings: 7.6/10 from 888 users  
Reviews: 5 user | 28 critic

In post-war Japan, people are working hard, but never so much more than the Yakuza. In the city of Yokosuka, Kinta and his lover Haruko brave the post-occupation period with a goal to be ... See full synopsis »

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Title: Pigs and Battleships (1961)

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Cast

Cast overview, first billed only:
Hiroyuki Nagato ...
Kinta
Jitsuko Yoshimura ...
Haruko
Masao Mishima ...
Himori
Tetsurô Tanba ...
Slasher Tetsuji
Shirô Ôsaka ...
Hoshino (as Shirô Osaka)
Takeshi Katô ...
Ohachi
Shôichi Ozawa ...
Gunji, Gangster in check shirt
Yôko Minamida ...
Katsuyo
Hideo Sato ...
Kikuo
Eijirô Tôno ...
Kan'ichi
Akira Yamauchi ...
Sakiyama
Sanae Nakahara ...
Hiromi
Kin Sugai ...
Haruko's mother
Bumon Kahara ...
Harukoma
Tomio Aoki ...
Kyuro
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Storyline

In post-war Japan, people are working hard, but never so much more than the Yakuza. In the city of Yokosuka, Kinta and his lover Haruko brave the post-occupation period with a goal to be together... See full synopsis »

Add Full Plot | Plot Synopsis

Genres:

Drama | Comedy | Crime

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

13 September 1963 (USA)  »

Also Known As:

Pigs and Battleships  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (re-issue)

Sound Mix:

Aspect Ratio:

2.35 : 1
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User Reviews

The Sweaty Chaos
1 April 2013 | by (Jyväskylä, Finland) – See all my reviews

"This film is entirely fictional" states the film in the very beginning, lingering purposefully on the faces of bawling drunk Americans wandering the nightly streets, some harassed by, others looking for company. You don't really have to know Imamura at all to recognize the delicious irony. The beginning is so full of impressions, smells and life only Welles' "Touch of Evil" (1958) bests this in how in just a few minutes we're completely in the place and breathe its air. The sweaty chaos of the close-leaning alleys, kisses beneath stairs.

Welles is also echoed in the beautifully fluent tracking shots. It's interesting to read Imamura's statements made during the sixties and later, when he recalls Ozu's intention of a highly aestheticized cinema, and his own, more anthropological, perhaps more real. These kinds of comments distracted me for a long time – I wasn't expecting visually strong films, which Imamura's are, neither was I prepared to see so many fresh ideas, of which there are many.

I'm not completely satisfied with the ending, but I'll have to wait and see whether it'll grow on me. It is, on one hand, a successful melange of both the sadistic and ironic, but on the other it brings the film to a close perhaps too neatly. Not that I have any idea as to how to make it better, but it's too much of a showdown, and although Imamura plays it to great comic effect with a tragic undersong, it's a bit too excessive to my liking.

The Criterion Collection has released this on DVD (Region 1) as part of the 'Pigs, Pimps & Prostitutes' boxset that also includes "Akasen satsui" ('Intentions of Murder', 1963) and "Nippin konchûki" ('The Insect Woman', 1963). Masters of Cinema have released this on a Region B Blu- ray that also includes an early Imamura film, his debut actually, "Nusumareta yokujô" ('Stolen Desire', 1958).


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