Holly Golightly is a flighty Manhattan party girl, who expects "money for the powder room as well as for cab fare" for her companionship. She has even gotten a lucrative once weekly job to visit notorious convict Sally Tomato in Sing Sing, she needing to report back to Sally's lawyer the weather report that Sally tells her as proof of her visits with him in return for payment. Her aspirations for glamor and wealth are epitomized by the comfort she feels at Tiffany's, the famous high end jewelry retailer where she believes nothing can ever go wrong. Her resolve for this wealth is strengthened, if not changed slightly in focus, upon news from home. Into Holly's walk-up apartment building and thus her life is Paul Varjak, a writer who Holly states reminds her of her brother Fred, who she has not seen in years and who is currently enlisted in the army. The two quickly become friends in their want for something outside of their current lot. Paul's situation is closer to Holly's than he ... Written by
The celebrated author on whose novel it was based despised the film version, describing it as "mawkish." The star wasn't much more enthusiastic; she never considered it among her best work. And the reviews were mixed. But regardless of what Truman Capote, Audrey Hepburn, or the critics thought about it, the public adored it--and the image of Audrey Hepburn wearing a black evening dress, nibbling pastry, and window shopping has passed into our cultural iconography.
The film is indeed lightweight stuff. Audrey Hepburn is a New York good-time girl who makes a living by clipping her wealthy escorts for fifty here and fifty there. When she meets handsome George Peppard--a writer who makes ends meet by trading favors with society matron Patricia Neal--can love be far behind? But Audrey's mysterious past and her determination to marry rich, George's status as a kept boy-toy, and their occasionally questionable associates provide plenty of complications to fill out the story.
What makes the film work is the remarkable charm of its two stars. Most of the attention goes to Audrey Hepburn and the film shows her to remarkable advantage: she is a remarkable actress, personality, and beauty, and she works wonders with the ultralight script. But when it comes to charm, George Peppard is no slouch either: the film catches him at the height of his early golden-boy good looks, and he is the perfect foil for Hepburn in both their comic and dramatic scenes. Mickey Rooney's excessive performance as Yunioshi aside, the supporting cast is also very entertaining, with Patricia Neal, Buddy Ebsen, Martin Balsam, and Dorothy Whitney all give enjoyable turns. The film looks great (make sure you get the widescreen version), the score (which includes "Moon River") is excellent, and director Blake Edwards keeps everything moving at a pleasant pace. This a great film to cozy up with on a cold night--romantic, entertaining, and as comforting as a cup of hot chocolate. Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
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