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Breakfast at Tiffany's (1961)

Not Rated | | Comedy, Drama, Romance | 4 November 1961 (Japan)
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A young New York socialite becomes interested in a young man who has moved into her apartment building.

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(based on the novel by), (screenplay)
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1,250 ( 126)
Won 2 Oscars. Another 10 wins & 12 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
2E Failenson
...
Doc Golightly
...
O.J. Berman
José Luis de Vilallonga ...
José da Silva Pereira (as Vilallonga)
...
...
Sally Tomato
Dorothy Whitney ...
Mag Wildwood
Beverly Powers ...
Nightclub Stripper (as Miss Beverly Hills)
...
Rusty Trawler
Claude Stroud ...
Sid Arbuck
...
Librarian
...
'Cat' - a Cat (as Cat)
...
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Storyline

Holly Golightly is a flighty Manhattan party girl, who expects "money for the powder room as well as for cab fare" for her companionship. She has even gotten a lucrative once weekly job to visit notorious convict Sally Tomato in Sing Sing, she needing to report back to Sally's lawyer the weather report that Sally tells her as proof of her visits with him in return for payment. Her aspirations for glamor and wealth are epitomized by the comfort she feels at Tiffany's, the famous high end jewelry retailer where she believes nothing can ever go wrong. Her resolve for this wealth is strengthened, if not changed slightly in focus, upon news from home. Into Holly's walk-up apartment building and thus her life is Paul Varjak, a writer who Holly states reminds her of her brother Fred, who she has not seen in years and who is currently enlisted in the army. The two quickly become friends in their want for something outside of their current lot. Paul's situation is closer to Holly's than he ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Audrey Hepburn plays Holly Golightly, the craziest heroine who ever crept between the pages of a best-selling novel! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

4 November 1961 (Japan)  »

Also Known As:

Frühstück bei Tiffany  »

Box Office

Budget:

$2,500,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Audrey Hepburn supposedly exclaimed "over my dead body" when it was suggested that "Moon River" be removed from the film. However, there's an alternative recollection of this event. On the DVD of "Breakfast at Tiffany's Anniversary Edition," co-producer Richard Shepherd says in his commentary that after a premiere in San Francisco, Paramount's Head of Production desired to have "Moon River" removed from the film but co-producer Martin Jurow "and I both said 'over our dead bodies.'" See more »

Goofs

At the party before she meets Rusty her hair is streaked blonde and has approximately 3 strands of blonde hair running up into her bun. Later the bun and streaks are differently placed. Only two strands running up into the bun. See more »

Quotes

[first lines]
Sid Arbuck: [seeing Holly enter her building] Hey!
[he chases her inside]
Sid Arbuck: Hey, baby, what's going on here?
Holly Golightly: Oh, hi!
See more »

Connections

Featured in The Roth Show: The New York City Way (2014) See more »

Soundtracks

Moon River
(1961)
By Johnny Mercer and Henry Mancini
Played during the opening credits and often in the score
Performed by Audrey Hepburn (uncredited)
Whistled by George Peppard (uncredited)
See more »

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User Reviews

Fluffy, if a bit empty, but delicious breakfast.
24 June 2004 | by (Cincinnati, OH) – See all my reviews

An army of fans consider this Hepburn's signature role and in many ways it is, even if she overcame miscasting to portray it. Based on a rather biting novella by Truman Capote, he (somewhat surprisingly) wanted Marilyn Monroe to play the role. The casting of Hepburn couldn't be more different, yet she made it her own and in the process created an icon that is every bit as lasting as Marilyn's skirt-over-the-subway-grate or Bette Davis's off-the-shoulder, chain-smoking Margo Channing. She plays an offbeat, effortlessly sophisticated party girl in New York City who subsists on the favors of various rich men. Though her livelihood couldn't be more tasteless, somehow Hepburn's presence adds a sheen of innocence and sweetness to it. When blocked writer Peppard moves in upstairs ("kept" by married socialite Neal), the two find themselves developing a friendship which eventually begins to turn into love. But since they are both people who use their bodies to earn their keep and are heavily dependent on others, the chances of their relationship lasting are slim at best. To read the above synopsis, one would expect a gritty, vulgar film. However, in director Blake Edwards' hands and with Hepburn floating around in exquisite Givenchy gowns, the movie is a candy box of color, style, humor and romance.

Even when she's hungover or just getting home from an all-nighter (as in the famous opening scene), Hepburn strikes a graceful and glamorous figure. In fact, it's when she's trying to act disoriented or disheveled that her performance is at it's weakest. It's as if she was so inherently stylish that she had to try (too) hard to present anything else! She does a very fine job with the role, even if the character's past is nothing short of preposterous. Peppard comes off as blandly attractive, but wooden. His arrogance regarding his role (fiercely protecting the traditional leading man image) not only undercut his own performance, but also slighted that of Neal's who was diminished as a result. However, sentimental filmgoers probably prefer his more heroic approach and Neal would certainly recoup her losses, earning an Oscar a short time later for "Hud". The most controversial aspect of the film is Rooney's portrayal of an Asian man who lives above Hepburn and who is awakened at all hours by her lifestyle. Whether or not one is offended by the over-the-top stereotype of the buck teeth and slant eyes, the role is not funny anyway! It's all way too forced and obvious, with his pratfalls in sight long before they occur. (A lamp exists RIGHT over his bed for the express purpose of giving him something to hit his head on continuously. Move it, already!) There are many memorable moments in the film including a sequence of Hepburn and Peppard doing things they've never done before, Hepburn sitting on the fire escape plaintively singing the Oscar-winning song "Moon River" (which is used throughout the film by master composer Henry Mancini) and wacky party scene (a prelude to Edwards' "The Party"?) in which all sorts of outre things take place including the cry "Timber!" when a tipsy guest begins to collapse. There's a surprising frankness, for the time, regarding Peppard and Neal's relationship. It seems to be one of the earliest Hollywood films in which the leading man is implied to be nude under the covers in his bed. The film is not without its flaws. Some of the dialogue is annoyingly indulgent and the storyline is fairly patchy (with a tacked on ending.) Still, with the sparkling presence of Hepburn (in some mind-blowing hats and costumes) and the slick work of Edwards, it is easy entertainment.


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What is the point of this movie? PandaBear8
what was she eating/drinking when havei g breakfast at tiffanys LoganHH
So much to not like in this movie rp0383
$50 For The Powder Room manuelarnao86
Disappointed mablecheng1981
Why as an Asian I have no problem with Rooney's character laurence_dang
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