Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Holly Golightly is a flighty Manhattan party girl, who expects "money for the powder room as well as for cab fare" for her companionship. She has even gotten a lucrative once weekly job to visit notorious convict Sally Tomato in Sing Sing, she needing to report back to Sally's lawyer the weather report that Sally tells her as proof of her visits with him in return for payment. Her aspirations for glamor and wealth are epitomized by the comfort she feels at Tiffany's, the famous high end jewelry retailer where she believes nothing can ever go wrong. Her resolve for this wealth is strengthened, if not changed slightly in focus, upon news from home. Into Holly's walk-up apartment building and thus her life is Paul Varjak, a writer who Holly states reminds her of her brother Fred, who she has not seen in years and who is currently enlisted in the army. The two quickly become friends in their want for something outside of their current lot. Paul's situation is closer to Holly's than he ... Written by
Audrey Hepburn supposedly exclaimed "over my dead body" when it was suggested that "Moon River" be removed from the film. However, there's an alternative recollection of this event. On the DVD of "Breakfast at Tiffany's Anniversary Edition," co-producer Richard Shepherd says in his commentary that after a premiere in San Francisco, Paramount's Head of Production desired to have "Moon River" removed from the film but co-producer Martin Jurow "and I both said 'over our dead bodies.'" See more »
In interior shots the apartments have windows and a fire escape along the side. In exterior shots there is no space between the building and the one adjacent to it, making such architectural modifications impossible. See more »
The famous film "Breakfast at Tiffany's" is supposedly based upon a brilliant novel by Truman Capote.Excellent music by Henry Mancini, the striking elegance and charm of Audrey Hepburn, the big name of Blake Edwards as the one of the best Hollywood entertainers promised an unforgettable picture.Alas! It turned out to be the most disappointing film versions of all the times.First, there is no trace of the original message of the novel(I hear that the author was not very happy about film version either), which gives no hint of any sugary-sweet romance at all, and the character of Hollie had been grossly transformed (if not mutilated).Second, the actors and their protagonists are a horrendous mismatch:Audrey Hepburn (with all my sincerest admiration and love for her)plays some girl poor Truman Capote had never dreamed about of putting into his novel: too naive and pure, too high-class and too sweet to be a "real phony" as one of the film's characters (O.J.Berman )calls her.Mr Peppard is absolutely wooden, so he looks and sounds the phoniest of all with his love confessions.Mickey Rooney is a bad (really bad!) caricature of a Japanese ( forget about political correctness, it is just bad taste!)man. It is a great pity that a really wonderful piece of writing has had such a disappointing destiny in Hollywood! Though for those who know Hollywood tastes and culture it is no surprise at all.
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