Struggling writer Paul Varjak moves into a New York apartment building and becomes intrigued by his pretty, quirky neighbor Holly Golightly. Holly's lifestyle confuses and fascinates Paul; in public she flits through parties with a sexy, sophisticated air, but when they're alone she changes into a sweetly vulnerable bundle of neuroses. Written by
Not surprisingly considering his intensity, George Peppard didn't make many friends on the set. He and Blake Edwards locked horns many times throughout the filming, almost coming to blows on at least one occasion. No matter what kind of direction he was given, Peppard would end up playing the scene as he thought it should be played, which didn't endear him to anyone. Even Patricia Neal, with whom Peppard had been friendly in the past, noticed a change in the actor-and not for the better. Peppard, she felt, had been "spoiled." Peppard felt from the get-go that Neal's character was too dominant. "He wanted things as he wanted them," she later said of Peppard. "I dominated him a lot more in the script and he didn't want to be seen in that condition...His character was written with a battered vulnerability that was totally appealing, but it did not correspond to George's image of a leading man. He seemed to want to be an old-time movie hunk." See more »
At the party before she meets Rusty her hair is streaked blonde and has approximately 3 strands of blonde hair running up into her bun. Later the bun and streaks are differently placed. Only two strands running up into the bun. See more »
I've loved "Breakfast at Tiffany's" since I was nine. Even before I completely understood about Holly's "profession", I was captivated by the grace and magic that was Audrey Hepburn.
George Peppard plays Paul Varjak, a writer who has to earn his living through a wealthy socialite, Patricia Neal, as her "kept" man. Audrey, who plays Holly Golightly, is a gold-digging call girl, who is looking for the right rich man to marry. Though you would think these two would be unflattering characters, they are both very charming and put on phony personas (especially in Holly's case) in order to survive.
You have to marvel at how a woman like Audrey could look so good in anything she wore. At the beginning of the movie when she first meets Peppard, she's only wearing a simple white shirt that she wears as a nightgown or at the party scene when she first comes out and greets her friend O.J. Berman wearing nothing but a sheet made up to look like a dress! Gorgeous!
It's a marvelous piece of acting when Holly first meets Paul in her apartment, and she's talking about how she has to get ready to meet one of her "clients" in jail, Sally Tomato, and she's talking about her profession, looking at herself in the mirror, getting dressed, asking Paul to find one of her shoes, etc., and then, voila! the famous basic black dress and hat with the wide brim. Very stylish - and in the scene she is given much to work with, the way she has to juggle the dialogue and the action of what she is doing all at once. Very natural and sophisticated at the same time.
Audrey is very believable as Holly because her character is someone who is pretending to be sophisticated, hanging around with phony people, but really comes from humble beginnings. Once in a while you will hear in her voice the "country-girl" drawl, and you will see through the facade of Holly Golightly who she really is. George Peppard is also very handsome and believable as the "starving" writer who also has to sell himself out in order to earn a living.
Many complaints have been made about Mickey Rooney and the "stereotypical" portrayal of the landlord Mr. Yunioshi. Yes, it is stereotyped, but nonetheless, I still thought it was funny. The party scene is one of the best in the movie - hilarious! Wonderful score by Henry Mancini. Of course it's a classic scene when Holly pulls up in front of Tiffany's in the New York taxi, drinking coffee and eating a danish in front of the window. New York City itself is like a vibrant, interesting character in the movie. I could go on and on.
And to top it all off, it's a very romantic love story about two people who find happiness in the crazy, mixed-up world we live in. A classic. Recommended to anyone who loves old Hollywood cinema.
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