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Breakfast at Tiffany's (1961)

Not Rated | | Comedy, Drama, Romance | 4 November 1961 (Japan)
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A young New York socialite becomes interested in a young man who has moved into her apartment building, but her past threatens to get in the way.

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(based on the novel by), (screenplay)
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Won 2 Oscars. Another 10 wins & 12 nominations. See more awards »

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Cast

Complete credited cast:
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José da Silva Pereira (as Vilallonga)
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Dorothy Whitney ...
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Rusty Trawler
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Librarian
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Beverly Powers ...
Nightclub Stripper (as Miss Beverly Hills)
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Cat (as Cat)
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Storyline

Holly Golightly is a flighty Manhattan party girl, who expects "money for the powder room as well as for cab fare" for her companionship. She has even gotten a lucrative once weekly job to visit notorious convict Sally Tomato in Sing Sing, she needing to report back to Sally's lawyer the weather report that Sally tells her as proof of her visits with him in return for payment. Her aspirations for glamor and wealth are epitomized by the comfort she feels at Tiffany's, the famous high end jewelry retailer where she believes nothing can ever go wrong. Her resolve for this wealth is strengthened, if not changed slightly in focus, upon news from home. Into Holly's walk-up apartment building and thus her life is Paul Varjak, a writer who Holly states reminds her of her brother Fred, who she has not seen in years and who is currently enlisted in the army. The two quickly become friends in their want for something outside of their current lot. Paul's situation is closer to Holly's than he ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Audrey Hepburn as Holly Golightly sparkles her way through everything you've ever wanted to do! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

4 November 1961 (Japan)  »

Also Known As:

Frühstück bei Tiffany  »

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Box Office

Budget:

$2,500,000 (estimated)

Gross USA:

$8,000,000, 31 January 2004

Cumulative Worldwide Gross:

$14,000,000, 31 January 2004
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The lines of dialog "How do I look?", "Very good. I must say, I'm amazed" and "I am a very stylish girl" were sampled in the Dimitri From Paris song "Une Very Stylish Fille". See more »

Goofs

Near the end, the taxi that Holly and Paul climb into, changes from a 1959 Plymouth to the 1958 version. See more »

Quotes

[first lines]
Sid Arbuck: [seeing Holly enter her building] Hey!
[he chases her inside]
Sid Arbuck: Hey, baby, what's going on here?
Holly Golightly: Oh, hi!
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Connections

Referenced in Ocean's Eleven (2001) See more »

Soundtracks

Moon River Cha Cha
(1961) (uncredited)
Words by Johnny Mercer
Music by Henry Mancini
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Frequently Asked Questions

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User Reviews

 
Great Art or Guilty Pleasure?
6 February 2006 | by See all my reviews

I am never sure which Breakfast at Tiffany's is. I can certainly think of movies which more accurately portray the human condition, but of few that are more fun.

Neither Holly nor Paul seem to represent real people. Their attraction, which is the focal point of the movie, is a character unto itself. Paul sees Holly as scared, vulnerable, and in need of rescue and enjoys his role as potential knight in shining armor to her damsel in distress. She is drawn to him because he sees beyond her facade of fabulousness to the scared little girl she is inside and which she tries (not that hard really at all) to hide. Adding to her attraction to him is the fact that he stands up to her when she treats him shoddily. This probably does not happen to her too often, and it intrigues her.

These are mostly the tricks a romance novelist uses to keep readers baited and rooting for a fictional, possibly doomed romance to work and do not reflect the real nature of love. There is, however, enough chemistry, genuine affection, and respect between the two characters to keep the story from seeming utterly implausible.

Of course, a movie doesn't have to be realistic to realistically portray what is right and what is wrong with the world we live in. Breakfast at Tiffany's doesn't do a whole lot of that either, though. After watching I can never pinpoint one solid message from it.

What it does have a lot of, as many others have pointed out, is stylish, witty, good fun. This is almost always the movie I choose on the rare occasions when my husband is working late, my son is asleep, I have energy to spare and good bottle of wine just begging to be uncorked. Believable or not, it is well-told and compelling, and remains one of the better movies a gal can lose herself in.


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