Holly Golightly is a flighty Manhattan party girl, who expects "money for the powder room as well as for cab fare" for her companionship. She has even gotten a lucrative once weekly job to visit notorious convict Sally Tomato in Sing Sing, she needing to report back to Sally's lawyer the weather report that Sally tells her as proof of her visits with him in return for payment. Her aspirations for glamor and wealth are epitomized by the comfort she feels at Tiffany's, the famous high end jewelry retailer where she believes nothing can ever go wrong. Her resolve for this wealth is strengthened, if not changed slightly in focus, upon news from home. Into Holly's walk-up apartment building and thus her life is Paul Varjak, a writer who Holly states reminds her of her brother Fred, who she has not seen in years and who is currently enlisted in the army. The two quickly become friends in their want for something outside of their current lot. Paul's situation is closer to Holly's than he ... Written by
Contrary to popular belief, the movie follows Truman Capote's original novel quite closely. The character of Mag Wildwood, the Amazon-like model who crashes Holly's party in the film, is a major character in the novel. Capote describes her as having a stutter. In the film, Mag does indeed stutter though this isn't explained. During the shoplifting sequence, Holly briefly dons a The Huckleberry Hound Show (1958) mask, mirroring the line "my Huckleberry friend" in her song, "Moon River." Although Audrey Hepburn's performance of "Moon River" is unsurpassed, it would not be officially released until after her death. Holly's "bad date" prior to her first visit to Paul's apartment is only heard behind a door. The man who provides this voice is uncredited, but he sounds a lot like Mel Blanc, who at the time was working with film co-star Alan Reed on The Flintstones (1960). See more »
When Holly is listening to the LP to learn Portuguese, the voice in the record speaks Portuguese with a Portuguese accent (and not Brazilian, as it should be). See more »
A lot has been said about this film, so I won't repeat too much of it. I just thought the following points stood out for me as wonderful:
-The telephone Holly keeps in a suitcase so she won't hear it. Holly. Ahhhh... Holly. Like some kind of female opposite of James Bond (stick with me here), men all want her, women all want to be her. We need to see *more* eccentric women in leading roles, as opposed to the dull boring stodge of overpaid 'sex symbols' like Julia Roberts or Nicole Kidman who can be pretty or serious but never interesting.
-George Peppard in his finest role, and brilliant it is too. It's a real shock to my generation that has been more accustomed to seeing him tragically underused on trash like the A-Team. It made me want to see more of his early films, and wonder what happened in the intervening years (alcohol, apparently :-( ). An icon of male sensitivity, and there are few enough of them around too.
-That chap who sells them the telephone dialler in Tiffany's. A tiny role that achieves its aims perfectly and makes life seem better, which is what you want really.
Many have said Tiffany's is too saccharine and cheerful, but I think it actually hits the perfect balance of cynicism and sentiment. There are moments of intense depression (which people often forget) as well as hopeful optimism, and these two working together are what make the film so uplifting and memorable.
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