7.2/10
272
14 user 1 critic

The Boys (1962)

When the night watchman of a garage is found murdered, 4 young men are arrested and put on trial. Under cross-examination, suspects and witnesses give differing accounts of the same ... See full summary »

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Cast

Cast overview, first billed only:
...
Victor Webster
...
Montgomery
...
Stan Coulter
...
Billy Herne
Tony Garnett ...
Ginger Thompson
...
Barney Lee
...
The Judge
Wilfrid Brambell ...
Robert Brewer (as Wilfred Bramble)
...
Randolph St. John (as Alan Cuthbertson)
...
Gordon Lonsdale
Wensley Pithey ...
Mr. Coulter (as Wensley Athey)
Kenneth J. Warren ...
George Tanner
...
Mr. Lee
David Lodge ...
Mr. Herne
Mavis Villiers ...
Celia Barker
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Storyline

When the night watchman of a garage is found murdered, 4 young men are arrested and put on trial. Under cross-examination, suspects and witnesses give differing accounts of the same incidents that led up to the crime. After re-examining the suspects' statements, the prosecuting counsel finally learns the truth. Written by mike.wilson6@btinternet.com

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judge | independent film | See All (2) »

Genres:

Crime | Drama

Certificate:

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Details

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Release Date:

September 1962 (UK)  »

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Technical Specs

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Sound Mix:

| (RCA Sound Recording)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jess Conrad has said in interviews that Sidney J. Furie told "The Boys" to tear up the script, and improvise their dialogue. See more »

Quotes

Montgomery: These were no more than boys trying to have an evening out.
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Soundtracks

Main Theme
Written by Brian Bennett, Bruce Welch & Hank B. Marvin
Played by The Shadows
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User Reviews

 
It aims for authenticity and achieves ... dullness
18 September 2007 | by (Derry, Ireland) – See all my reviews

This social-conscience movie, made in Britain in the early sixties, makes an earnest plea for the abolition of the death penalty and though it's couched in the form of a courtroom drama, (the whole film is the trial with flashbacks leading up to the events in question in the form of the evidence given by the witnesses and the defendants), it lacks the urgency and excitement that you expect from either a good thriller or even a half-decent social conscience movie. Instead it plods along from one scene to the next as first the witnesses give their evidence then the defendants contradict it.

The boys are Dudley Sutton, Jess Conrad, (a British pop star of the time cast obviously to draw the youth market), Ronald Lacey and Tony Garnett, (yes, that Tony Garnett before going on to fame as producer of real social-realist films made mainly for television), and they stand accused of killing a night-watchman as they tried to rob a garage. The film bounces back and forth between the courtroom and the night in question; (the courtroom scenes are dull and talkative and aim for an air of 'authenticity'). The prosecuting counsel is Richard Todd who can't seem to muster any enthusiasm while Robert Morley stands for the defence. Morley is the best thing about the film; he's lively and he gives the film something of a buzz. (He also gets to do the 'serious' speech at the end). Ultimately it's the kind of movie that at half its length and done on TV might just have made an impact but on a widescreen and at two hours plus just seems to drag on forever. Give me Judge Judy any day.


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