Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great ... See full summary »
Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate ... See full summary »
When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to ... See full summary »
Deke Rivers is a delivery man who is discovered by publicist Glenda Markle and country-western musician Tex Warner who want to promote the talented newcomer to fame and fortune, giving him ... See full summary »
Elvis is a singing rodeo rider who drifts into an expensive dude ranch patronized by wealthy glamour girls. The owner, Vera Radford, hires Elvis as a stable man. Pretty physical fitness ... See full summary »
Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great Southern Hawaiian Fruit Company, but Chad is reluctant. So Chad goes to work as a tour guide at his girlfriend's agency. Written by
Pat McCurry <email@example.com>
Juliet Prowse, Elvis Presley's co-star in G.I. Blues (1960), was signed to play Maile, but she wanted to use another studio's make-up artist and have the studio pay to fly her secretary to Hawaii. When those conditions were refused, she pulled out of the film. See more »
In the "Almost Always True" number in the car, there is a bad cut when Maile's hands change position on the steering wheel and Chad's left arm goes from propped on his seatback to stretched out behind Maile. See more »
My French blood tells me to argue with you and my Hawain blood tells me not to mind - they're battling it out in front of me.
I've never seen such a beautiful battleground.
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There's quite a bit to like about this pleasant if unoriginal musical. Hawaii has never looked better before or since, showcased by beautiful, panoramic shots in this movie. Here, it's a relentlessly wholesome place, a mirror image of the seamy underside shown in "Hawaii Five-O" years later. Tourist-trap "native traditions" are given special attention. Day or night, it's so intoxicating that it almost makes you want to immediately hop a plane to Honolulu or to Kauai, the "island of love."
The soundtrack is quite possibly the best of any Elvis movie, with such gems as "Can't Help Falling In Love," the toe-tapping "Rockahula," "Hawaiian Wedding Song" and an abbreviated but still enjoyable rendition from Elvis of the traditional Hawaiian classic, "Aloha Oe." Unlike virtually every other musical, they never break into song for no good reason. Whether it's to change the subject, serenade a grandmother on her birthday, or liven up a party, there's always a radio or band present rather than having the music come out of nowhere.
Elvis was in top form here - handsome, slim, and boyish. A far cry from the overweight, ostentatious, muttonchopped, rhinestoned, caped and bell-bottomed joke he became a decade later. The rest of the cast was good, with the exception of an over-the-top Angela Lansbury and a cold, unmusical Joan Blackman. Still, the love story was one of the better ones, with the relationship established before the movie opens instead of the ridiculous whirlwind romance of most other Elvis movies.
Watch this on the biggest screen TV to get the feeling you're actually in this Hawaii that never was, at least during the outdoor scenes, not when they retreated to the studio. Better yet, make it a double feature with "Gidget Goes Hawaiian" and you can luxuriate in the Hawaii of 1961, only two years after it had become the 50th state.
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