Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great ... See full summary »
Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate ... See full summary »
Sam Burton's second wife Neddy is Indian, their son Pacer a half-breed. As struggle starts between the whites and the Kiowas, the Burton family is split between loyalties. Neddy and Sam are... See full summary »
Mike and Danny fly a crop duster, but because of Danny's gambling debts, a local sheriff seizes it. Trying to earn money, they hitch-hike to the World's Fair in Seattle. While Danny tries ... See full summary »
Elvis is a singing rodeo rider who drifts into an expensive dude ranch patronized by wealthy glamour girls. The owner, Vera Radford, hires Elvis as a stable man. Pretty physical fitness ... See full summary »
Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great Southern Hawaiian Fruit Company, but Chad is reluctant. So Chad goes to work as a tour guide at his girlfriend's agency. Written by
Pat McCurry <email@example.com>
Elvis Presley gave his famous ukulele from this film to Hank Garland, nicknamed "Sugarfoot." Garland was one of the top session guitar player during the 1950s in Nashville. He recorded with Elvis and toured with him from 1958-1961. Elvis etched his initials into the ukulele for Garland. During his 1961 Hawaiian benefit concert (for the Arizona Memorial), Elvis was quoted as saying that Garland was "one of the finest guitar players in all of the country." See more »
In the "Almost Always True" number in the car, there is a bad cut when Maile's hands change position on the steering wheel and Chad's left arm goes from propped on his seatback to stretched out behind Maile. See more »
There's quite a bit to like about this pleasant if unoriginal musical. Hawaii has never looked better before or since, showcased by beautiful, panoramic shots in this movie. Here, it's a relentlessly wholesome place, a mirror image of the seamy underside shown in "Hawaii Five-O" years later. Tourist-trap "native traditions" are given special attention. Day or night, it's so intoxicating that it almost makes you want to immediately hop a plane to Honolulu or to Kauai, the "island of love."
The soundtrack is quite possibly the best of any Elvis movie, with such gems as "Can't Help Falling In Love," the toe-tapping "Rockahula," "Hawaiian Wedding Song" and an abbreviated but still enjoyable rendition from Elvis of the traditional Hawaiian classic, "Aloha Oe." Unlike virtually every other musical, they never break into song for no good reason. Whether it's to change the subject, serenade a grandmother on her birthday, or liven up a party, there's always a radio or band present rather than having the music come out of nowhere.
Elvis was in top form here - handsome, slim, and boyish. A far cry from the overweight, ostentatious, muttonchopped, rhinestoned, caped and bell-bottomed joke he became a decade later. The rest of the cast was good, with the exception of an over-the-top Angela Lansbury and a cold, unmusical Joan Blackman. Still, the love story was one of the better ones, with the relationship established before the movie opens instead of the ridiculous whirlwind romance of most other Elvis movies.
Watch this on the biggest screen TV to get the feeling you're actually in this Hawaii that never was, at least during the outdoor scenes, not when they retreated to the studio. Better yet, make it a double feature with "Gidget Goes Hawaiian" and you can luxuriate in the Hawaii of 1961, only two years after it had become the 50th state.
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