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The Big Show (1961)

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Title: The Big Show (1961)

The Big Show (1961) on IMDb 5.6/10

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Cast

Cast overview, first billed only:
...
Hillary Allen
...
Josef Everard
...
Bruno Everard
...
Klaus Everard
...
Carlotta Martinez
...
Eric Solden
Carol Christensen ...
Garda Everard
Kurt Pecher ...
Hans Everard
Renate Mannhardt ...
Teresa Vizzini
Franco Andrei ...
Fredrik Everard
Peter Capell ...
Pietro Vizzini
...
Lawyer
Carleton Young ...
Judge Richter
Philo Hauser ...
Ringmaster
Mariza Tomic ...
Fraustein
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Storyline

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Taglines:

A thrilling story that takes you behind the scenes of "The Big Top!" See more »

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

14 July 1961 (West Germany)  »

Also Known As:

Diabos do Circo  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

'Esther Williams(I)'' last major movie. See more »

Connections

Version of Broken Lance (1954) See more »

Soundtracks

Tritsch Tratsch Polka, Op. 214
(uncredited)
Music by Johann Strauß
Played during the opening credits
See more »

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User Reviews

 
Big Top excitement takes a backseat to family melodramatics...
1 August 2008 | by (las vegas, nv) – See all my reviews

Reworking of "House of Strangers" has Nehemiah Persoff in the Edward G. Robinson role of a widower patriarch, this time a demanding, domineering circus owner who keeps his sons and one daughter tightly under this thumb. Cliff Robertson, who keeps calling Persoff "Pup-puh", takes the rap for Dad once a tragedy strikes; shady sibling Robert Vaughn assumes control of the business after Robertson is sent to prison (what Vaughn plans to do with the circus isn't really clear, except that is sounds like a sell-out). Two sideline romances are much more interesting than the family conflicts, and Persoff is grueling and merciless while criticizing his children (this Daddy Dearest is hardly a sympathetic character, though I'm pretty sure we're meant to feel something for him in the final reel). The circus asides are given surprisingly short shrift in favor of the melodramatics, which are both over-the-top and stilted. Good cinematography helps quite a bit, as does a fine, non-showy performance by Esther Williams as a wealthy woman in love with Robertson. ** from ****


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