Two young people stand on a street corner in a run-down part of New York, kissing. Despite the lawlessness of the district they are left unmolested. A short distance away walk Maria and ... See full summary »
Beate Charlotte Lunde
Told in Documentary form, the film depicts a group of five British film critics and politicians who venture off into the West Virginian wilderness in search of the "Tony Blair Witch" which ... See full summary »
Michael A. Martinez
C. Alan Ploegsma,
Nasik-based Heerendra Dhaan and Raj Ranade are bodyguards of a politician, but after their employer is implicated in a scam, they end up assaulting a police officer and flee to Mumbai. Once... See full summary »
A defecting Russian scientist is transformed by an atomic test into a hulking monster, Tor Johnson, of course. Not much else except some people are killed, boys get lost, and a rabbit sniffs Tor's corpse. (This film was used for Mystery Science Theater 3000.) Written by
Jonah Falcon <email@example.com>
The first scene raised many questions: Who was the girl? How did Javorsky kill her before he mutates? Was it an unmentioned scene in the middle of the film? According to Tom Weaver's interview with Cardoza, the scene was shot after the movie was completed, and Coleman just put it there because he liked nude scenes. See more »
The Beast wears a suit jacket during the shootout. The jacket disappears a few seconds later. See more »
Produced in 1961, the very first scene surprises: a topless woman is drying off after a shower and retires to her bed when a strange man appears and.... The scene is shot with quick cuts, and seems like a late insert into the film, since "Psycho" was released the prior year, and has nothing to do with the subsequent events. Later a hulking manbeast, exposed to radiation, kidnaps a fainting woman, and carries her around the desert for a long period of time, including hiding out in a cave. Another scene shows a sheriff summoned to locate the missing woman, leaving his wife in the house, featuring lingering shots of this attractive blonde in a silky nightgown, getting up and going back to bed. The sexual suggestiveness of these three scenes is undebatable, going as far as they can in 1961 to illustrate that theme. Some good location work offsets the silly, yet fascinating narration of this basically silent film. Cast of unknowns remained that way, save Tor Johnson as the titular fiend, inadequately made-up, famous for his Ed Wood roles. Another obscure horror picture that has found its way to DVD in a good black-and-white print with an interesting Cold War influence. Weird.
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