Rudolph II, the Holy Roman Emperor, does not have a simple life. And yet he manages to complicate it even more with his frequent outbursts of anger. While he searches for a mythical Golem, ... See full summary »
When a comet passes the earth very closely, it pulls a small part of North Africa with it. Carried along is a bunch of people. Among them Angelika, who just escaped from a ruthless weapon ... See full summary »
After a hard day at work, Mr. Prokouk decides to invent a machine to ease his labor. But inventing is work too, and Mr. Prokouk spends more time dreaming about inventions than actually inventing anything. Can he find an easy solution?
A philosophical and poetic portrait of the famous (or maybe infamous?) Baron Munchhausen. His crazy, yet very merriment, stories, views and behavior is what sets him apart from others. He ... See full summary »
Zeman's magnum opus is every bit as compelling and otherworldly as the legends indicate. In fact, as I also have FABULOUS WORLD OF JULES VERNE & ON THE COMET on tape, take my word for it: PRASIL/MUNCHAUSEN is the Zeman to see if your only seeing one. Given those hallucinatory Gustav Dore-meets- Arthur Rackham visuals, the wildly disjointed narrative and from-hunger post-synched soundtrack actually ADD to the out-of-body experience that is this film. It's like stumbling into somebody else's fever dream. While Zeman's other films generally succumb to a deadly torpor around halfway through, this one is just so jampacked with surreal oddities and unforgettable bizarro setpieces that you're in flabbergasted joy right through to the end. Terry Gilliam (a major Zeman fan) attempted a lavish remake that missed the whole point of this film's one-of-a-kind quality: the sense throughout that this is a handcrafted film, an artisan's project free of studio meddling, brand name stars or big budget elephantiasis. PRASIL's amateurism is its crowning glory. Essential viewing...at least once.
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