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The Great Baron (1962)
"Baron Prásil" (original title)

7.8
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Ratings: 7.8/10 from 712 users  
Reviews: 17 user | 12 critic

The outrageous Baron Munchausen tells of his many adventures, from meeting the Man in the Moon to defeating a Turkish army all by himself.

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(dialogue), (book), 3 more credits »
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Cast

Complete credited cast:
Milos Kopecký ...
Rudolf Jelínek ...
Tonik
Jana Brejchová ...
Princess Bianca
Karel Höger ...
Cyrano
Rest of cast listed alphabetically:
Nadesda Blazickova ...
Court Dancer
Karel Effa ...
Adjutant
Josef Hlinomaz ...
Spanish General
Zdenek Hodr ...
Nicole
Miroslav Holub ...
Enemy General
Miroslav Homola ...
Chess Player
Rudolf Hrusínský ...
The Sultan
Eduard Kohout ...
General Ellemerle
Otto Simánek ...
Ardan
Frantisek Slégr ...
Pirate Captain
Václav Trégl ...
Sailor
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Storyline

The outrageous Baron Munchausen tells of his many adventures, from meeting the Man in the Moon to defeating a Turkish army all by himself.

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Release Date:

21 September 1962 (Czechoslovakia)  »

Also Known As:

The Fabulous Baron Munchausen  »

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Did You Know?

Trivia

Director Terry Gilliam saw this film at the British Film Institute (BFI) and was inspired to re-make it his next big production, the problem-plagued The Adventures of Baron Munchausen (1988). See more »

Quotes

Cyrano D'Bergarac: I cast my hat out into the universe, let it greet those who are on thier way from earth. From this day forward, the moon is no longer a dream....
See more »

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User Reviews

 
please, make it available
22 August 1999 | by (mississippi) – See all my reviews

Karel Zeman was a genius if visual artistry. His playful use of 19th century engravings in a live-action movie is so original and it works so well. Everybody who praises the Gilliam's Munchhausen should hold the judgement until he sees this Munchhausen. If anybody from the video industry watches this database, please make this movie available at least on VHS. And once you are at it, I would add two more Zeman's films that are made with the same charm, technical wizardry, nostalgia and artistic vision: Vynalez zkazy (1958) ("The invention of Destruction" in English) and Blaznova kronika (1963) ("The Fools' Chronicles"). In the chronological order, I consider the three films a loose trilogy that uses the esthetics of the 19th, 18th, and 17th century, respectively, to study the timeless human situation.


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