Ambitious but thwarted, Rae Smith meets handsome Marine Paul Saxon, (of the Saxon department store chain), as he passes through Lincoln, Nebraska, on his way home from World War II. There's... See full summary »
Tammy leaves the river in Mississippi to attend college, developing a relationship with Tom Freeman (John Gavin). Sandra Dee replaces Debbie Reynolds in this and the third Tammy movie. This... See full summary »
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David Lowell Rich
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The story of president Andrew Jackson from his early years, the film begins when he meets Rachel Donaldson Robards. The plot concentrates on the scandal concerning the legality of their ... See full summary »
Ambitious but thwarted, Rae Smith meets handsome Marine Paul Saxon, (of the Saxon department store chain), as he passes through Lincoln, Nebraska, on his way home from World War II. There's a definite spark between them but circumstances intervene and he leaves town without her. Later she learns he's married. Determined to make it as a fashion designer, Rae moves to New York and becomes a great success. One day she happens to meet Paul again and again there's that spark but he's still married so, as a form of escape, Rae moves to Rome to set up shop. Once again she meets Paul and finally they begin an actual affair since Paul's shrewish, drunken wife, Liz, won't give him a divorce. Time passes, the affair continues whenever time and place permit, but then, Paul's young son finds out about Rae and Rae's back-street world begins to crumble. Written by
dinky-4 of Minneapolis
The world premier was in Hollywood at the Warner Theater (later the Pacific Cinerama Theater) at 6433 Hollywood Blvd. A picture postcard was made showing a photograph of the opening night scene of "Back Street". The image with searchlights, cars, and crowds was depicted as a "typical Hollywood scene". See more »
[welcoming her to his shaded hotel room]
I've been looking forward to seeing you.
But then why don't you turn on the lights? I don't glow in the dark you know.
See more »
When first released some forty years ago, critics rightly complained about the soap-opera plot, the melodramatic dialog, the stock characters, and the excessive showcasing of sets and costumes. These complaints are still valid, but over the course of four decades, a realization has emerged that despite or even because of these failings, "Back Street" is a gloriously entertaining work that plays just as well now as it did back in 1961. How many other movies can claim this sort of durability? I would, however, like to point out five faults in the production. (1) Susan Hayward is a good ten or even fifteen years too old for this part. (2) The film's supposed message about the emptiness of being the "other woman" is blunted by the opulent success in which Hayward lives. (3) Vera Miles' character is so selfish and shrewish that one can't imagine why John Gavin ever married her. There should have been a line about how he'd been forced into an "arranged" marriage in order to save the family business. (4) When Gavin and Hayward meet for the first time in New York, after their initial encounter in Nebraska, he seems surprised to learn that she's now the famous fashion-designer who signs her creations "rae" -- all small letters, very chic -- even though she'd specifically told him of her plans at their first meeting. How many fashion-designers named "rae" did he think there were in the world? (5) One must wait more than forty minutes before Gavin takes his shirt off, and then he just has a dimly-lit scene where he and Hayward run out of the ocean in modest swim-wear before reclining on a beach towel. Gavin's physique deserved much more exposure than this.
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