Ambitious but thwarted, Rae Smith meets handsome Marine Paul Saxon, (of the Saxon department store chain), as he passes through Lincoln, Nebraska, on his way home from World War II. There's...
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Deprived of a normal childhood by her ambitious mother, Katie, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood ... See full summary »
Bo Gillis is running for Governor. Steve writes the speeches, Sylvester runs the campaign and Bo plays the guitar. Everything is going according to the plan until a hooker named Ada is ... See full summary »
When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne ... See full summary »
Pretty Rae Smith and handsome Walter Saxel meet, fall in love and make plans to marry. Unfortunately, their marriage plans get sabotaged when a jealous beau makes Rae miss the ceremony. The... See full summary »
Ambitious but thwarted, Rae Smith meets handsome Marine Paul Saxon, (of the Saxon department store chain), as he passes through Lincoln, Nebraska, on his way home from World War II. There's a definite spark between them but circumstances intervene and he leaves town without her. Later she learns he's married. Determined to make it as a fashion designer, Rae moves to New York and becomes a great success. One day she happens to meet Paul again and again there's that spark but he's still married so, as a form of escape, Rae moves to Rome to set up shop. Once again she meets Paul and finally they begin an actual affair since Paul's shrewish, drunken wife, Liz, won't give him a divorce. Time passes, the affair continues whenever time and place permit, but then, Paul's young son finds out about Rae and Rae's back-street world begins to crumble. Written by
dinky-4 of Minneapolis
When first released some forty years ago, critics rightly complained about the soap-opera plot, the melodramatic dialog, the stock characters, and the excessive showcasing of sets and costumes. These complaints are still valid, but over the course of four decades, a realization has emerged that despite or even because of these failings, "Back Street" is a gloriously entertaining work that plays just as well now as it did back in 1961. How many other movies can claim this sort of durability? I would, however, like to point out five faults in the production. (1) Susan Hayward is a good ten or even fifteen years too old for this part. (2) The film's supposed message about the emptiness of being the "other woman" is blunted by the opulent success in which Hayward lives. (3) Vera Miles' character is so selfish and shrewish that one can't imagine why John Gavin ever married her. There should have been a line about how he'd been forced into an "arranged" marriage in order to save the family business. (4) When Gavin and Hayward meet for the first time in New York, after their initial encounter in Nebraska, he seems surprised to learn that she's now the famous fashion-designer who signs her creations "rae" -- all small letters, very chic -- even though she'd specifically told him of her plans at their first meeting. How many fashion-designers named "rae" did he think there were in the world? (5) One must wait more than forty minutes before Gavin takes his shirt off, and then he just has a dimly-lit scene where he and Hayward run out of the ocean in modest swim-wear before reclining on a beach towel. Gavin's physique deserved much more exposure than this.
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