| Photos (See all 18 | slideshow) |
| Franco Citti | ... | Vittorio "Accattone" Cataldi | |
| Franca Pasut | ... | Stella | |
| Silvana Corsini | ... | Maddalena | |
| Paola Guidi | ... | Ascenza | |
| Adriana Asti | ... | Amore | |
| Luciano Conti | ... | Il Moicano | |
| Luciano Gonini | ... | Piede D'Oro | |
| Renato Capogna | ... | Renato | |
| Alfredo Leggi | ... | Papo Hirmedo | |
| Galeazzo Riccardi | ... | Cipolla | |
| Leonardo Muraglia | ... | Mammoletto | |
| Giuseppe Ristagno | ... | Peppe | |
| Roberto Giovannoni | ... | The German | |
| Mario Cipriani | ... | Balilla | |
| Roberto Scaringella | ... | Cartagine | |
| Silvio Citti | ... | Sabino | |
| Giovanni Orgitano | ... | Scucchia | |
| Piero Morgia | ... | Pio | |
| Umberto Bevilacqua | ... | Salvatore | |
| Franco Bevilacqua | ... | Franco | |
| Amerigo Bevilacqua | ... | Amerigo | |
| Sergio Fioravanti | ... | Gennarino | |
| Adele Cambria | ... | Nannina | |
| Adriano Mazzelli | ... | Amore's client | |
| Mario Castiglione | ... | Mario | |
| Dino Frondi | ... | Dino | |
| Tommaso Nuovo | ... | Tommaso | |
| Romolo Orazi | ... | Father-in-law | |
| Massimo Cacciafeste | ... | Brother-in-law | |
| Francesco Orazi | |||
| Mario Guerani | ... | Il commissario | |
| Stefano D'Arrigo | ... | Il giudice istruttore | |
| Enrico Fioravanti | ... | Agente | |
| Nino Russo | ... | Agente (as Enrico Russo) | |
| Edgardo Siroli | ... | Farlocchio | |
| Renato Terra | ... | Farlocchio | |
| Emanuele Di Bari | ... | Sor Pietro | |
| Franco Marucci | ... | Accattone's Friend | |
| Carlo Sardoni | ... | Accattone's Friend | |
| Adriana Moneta | ... | Margheritona | |
| Polidor | ... | Becchino | |
| Danilo Alleva | ... | Iaio | |
| Sergio Citti | ... | Waiter | |
| Elsa Morante | ... | A prisoner | |
| rest of cast listed alphabetically: | |||
| Gabriele Baldini | ... | Intellectual (uncredited) | |
Directed by | |||
| Pier Paolo Pasolini | |||
Writing credits | ||
| Pier Paolo Pasolini | (story) | |
| Pier Paolo Pasolini | (screenplay) | |
| Sergio Citti | (additional dialogue) | |
Produced by | |||
| Alfredo Bini | .... | producer | |
| Cino Del Duca | .... | producer | |
Cinematography by | |||
| Tonino Delli Colli | |||
Film Editing by | |||
| Nino Baragli | |||
Production Design by | |||
| Flavio Mogherini | |||
Set Decoration by | |||
| Gino Lazzari | |||
Production Management | |||
| Marcello Bollero | .... | production manager | |
| Eliseo Boschi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Leopoldo Savona | .... | assistant director | |
Sound Department | |||
| Manlio Magara | .... | boom operator | |
| Luigi Puri | .... | sound | |
Camera and Electrical Department | |||
| Franco Delli Colli | .... | camera operator | |
| Gioacchino Sofia | .... | assistant camera | |
Music Department | |||
| Carlo Rustichelli | .... | musical director | |
Other crew | |||
| Bernardo Bertolucci | .... | production assistant | |
| Lina D'Amico | .... | script supervisor | |
| Herman G. Weinberg | .... | re-release English subtitles | |
| Isabel Mulá | .... | intern (uncredited) | |
| Monica Vitti | .... | voice dubbing: Paola Guidi (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| subtitles | jars_ki |
| Accattone's end resembles Michel Poiccard's from À bout de souffle | natsnock |
| Accatone is INCREDIBLE | Ninfica |
| Woman with whom Maddelena lived | ccherry-1 |
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| My Own Private Idaho | Bicycle Thieves | Three Brothers | The Best of Youth | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
First movie by PPP,it displays the influence of Neo-realism with its depictions of rooms where adults and brats cram into,its pimps and its hookers,its gangs roaming on wasteland.The hero is a loser whose fate is sealed as soon as his "protégée" is jailed .His longing for purity is very intense,in spite of his "mean" job ,and the meeting with Stella (=star)which apparently should lead him to redemption actually causes his downfall:hence the intriguing scene of the burial (a premonitory dream?or day dream?),the only supernatural sequence in the whole movie :this scenes show Luis Bunuel's influence in the cemetery where the doors are locked and the undertaker digging a hole in the black earth.
Working behind the scenes ,the hypocrite bourgeoisie exploits the poverty of the people ."Teorema" in 1968 can be seen as Pasolini's revenge.
"Accatone" can be looked upon,with hindsight,as a (good) blueprint for "Mamma Roma" ,the young hero of which almost dies like a crucified Christ.But ,chiefly "Mamma Roma" features La Magnani,whose talent combined with that,burgeoning,of the director,produced a masterpiece.