| Photos (See all 18 | slideshow) |
| Franco Citti | ... | Vittorio "Accattone" Cataldi | |
| Franca Pasut | ... | Stella | |
| Silvana Corsini | ... | Maddalena | |
| Paola Guidi | ... | Ascenza | |
| Adriana Asti | ... | Amore | |
| Luciano Conti | ... | Il Moicano | |
| Luciano Gonini | ... | Piede D'Oro | |
| Renato Capogna | ... | Renato | |
| Alfredo Leggi | ... | Papo Hirmedo | |
| Galeazzo Riccardi | ... | Cipolla | |
| Leonardo Muraglia | ... | Mammoletto | |
| Giuseppe Ristagno | ... | Peppe | |
| Roberto Giovannoni | ... | The German | |
| Mario Cipriani | ... | Balilla | |
| Roberto Scaringella | ... | Cartagine | |
| Silvio Citti | ... | Sabino | |
| Giovanni Orgitano | ... | Scucchia | |
| Piero Morgia | ... | Pio | |
| Umberto Bevilacqua | ... | Salvatore | |
| Franco Bevilacqua | ... | Franco | |
| Amerigo Bevilacqua | ... | Amerigo | |
| Sergio Fioravanti | ... | Gennarino | |
| Adele Cambria | ... | Nannina | |
| Adriano Mazzelli | ... | Amore's client | |
| Mario Castiglione | ... | Mario | |
| Dino Frondi | ... | Dino | |
| Tommaso Nuovo | ... | Tommaso | |
| Romolo Orazi | ... | Father-in-law | |
| Massimo Cacciafeste | ... | Brother-in-law | |
| Francesco Orazi | |||
| Mario Guerani | ... | Il commissario | |
| Stefano D'Arrigo | ... | Il giudice istruttore | |
| Enrico Fioravanti | ... | Agente | |
| Nino Russo | ... | Agente (as Enrico Russo) | |
| Edgardo Siroli | ... | Farlocchio | |
| Renato Terra | ... | Farlocchio | |
| Emanuele Di Bari | ... | Sor Pietro | |
| Franco Marucci | ... | Accattone's Friend | |
| Carlo Sardoni | ... | Accattone's Friend | |
| Adriana Moneta | ... | Margheritona | |
| Polidor | ... | Becchino | |
| Danilo Alleva | ... | Iaio | |
| Sergio Citti | ... | Waiter | |
| Elsa Morante | ... | A prisoner | |
| rest of cast listed alphabetically: | |||
| Gabriele Baldini | ... | Intellectual (uncredited) | |
Directed by | |||
| Pier Paolo Pasolini | |||
Writing credits | ||
| Pier Paolo Pasolini | (story) | |
| Pier Paolo Pasolini | (screenplay) | |
| Sergio Citti | (additional dialogue) | |
Produced by | |||
| Alfredo Bini | .... | producer | |
| Cino Del Duca | .... | producer | |
Cinematography by | |||
| Tonino Delli Colli | |||
Film Editing by | |||
| Nino Baragli | |||
Production Design by | |||
| Flavio Mogherini | |||
Set Decoration by | |||
| Gino Lazzari | |||
Production Management | |||
| Marcello Bollero | .... | production manager | |
| Eliseo Boschi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Leopoldo Savona | .... | assistant director | |
Sound Department | |||
| Manlio Magara | .... | boom operator | |
| Luigi Puri | .... | sound | |
Camera and Electrical Department | |||
| Franco Delli Colli | .... | camera operator | |
| Gioacchino Sofia | .... | assistant camera | |
Music Department | |||
| Carlo Rustichelli | .... | musical director | |
Other crew | |||
| Bernardo Bertolucci | .... | production assistant | |
| Lina D'Amico | .... | script supervisor | |
| Herman G. Weinberg | .... | re-release English subtitles | |
| Isabel Mulá | .... | intern (uncredited) | |
| Monica Vitti | .... | voice dubbing: Paola Guidi (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Accattone's end resembles Michel Poiccard's from À bout de souffle | natsnock |
| subtitles | jars_ki |
| Accatone is INCREDIBLE | Ninfica |
| Woman with whom Maddelena lived | ccherry-1 |
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| My Own Private Idaho | Bicycle Thieves | Three Brothers | The Best of Youth | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
don't be a fool, this movie is not about pimps! It is about the periphery of Rome during the post-war years and the better life that capitalism created for the masses yet fundamentally forgot about these denizens of the borgate. If you like contradictions, dichotomies and are a film of uber-neo-realism, read this film. The protagonist, Accattone, is yes a pimp, but he is a pimp because that is how he is rendered through society. Pasolini gives a weird sort of dignity to the slummy atmosphere and seedy characters that reside in it. Christological imagery is prevalent!!! If you are mildly cognizant of Renaissance and Baroque art, you will see what I am talking about.