George Baxter was a highly successful corporation lawyer who was always in control of everything at the office, but almost nothing at home. When he returned from the office at day's end, to... See full summary »
Lovely young widow Carolyn Muir, her two young children, and the maid discover that the New England seaside house they've moved into is haunted by the former owner -- an old salt named ... See full summary »
The misadventures of two of New York's finest (a Mutt and Jeff pair) in the mythical 53rd precinct in the Bronx. Toody, the short, stocky and dim-witted one either saves the day or muffs ... See full summary »
This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the ... See full summary »
Pat Harrington Jr.
Frances "Gidget" Lawrence lives with her widowed college professor father in California. Anne is her older sister who is married to John Cooper, a psychology student. Gidget spends most of ... See full summary »
George Baxter was a highly successful corporation lawyer who was always in control of everything at the office, but almost nothing at home. When he returned from the office at day's end, to his wife Dorothy, and his young son Harold, he entered the world of Hazel. Hazel was the maid and housekeeper who ran the Baxter household more efficiently than George ran his office. She was always right, knew exactly what needed doing, and pre-empted his authority with alarming, though, justified regularity. Written by
During its first four seasons the series was sponsored by the Ford Motor Company, who apparently used their clout to put their cars on the show. The Baxters' family cars were always Fords. In the Spring of 1964, the show became one of the first to show its characters riding in a Ford Mustang, which had just been introduced to the market. See more »
The wonderful thing about this unusually good-natured domestic sitcom is that an older woman is the star. I remember enjoying it immensely. Acting, plots, camera are all respectful of the viewer: no slapstick, no mockery or denigration. This is very rare in comedy, where cruelty is usually a major component. When will they show this gem again?
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