Neil Brock is a young social worker in the slums of New York City; his boss is Frieda Hechlinger; and Jane Foster is the office secretary. This dramatic series features stories about child ... See full summary »
George C. Scott,
Los Angeles is where Sgt. Nick Anderson and his fellow officers work to keep the streets safe. After the arrest of the accused, attorney John Egan plans their defense while the prosecution is lead by Jerry Miller.
The story takes place in a large hospital and revolves around two nurses, Liz Thorpe (Shirl Conway), the older head nurse, and Gail Lucas, the naive student nurse. The two nurses were ... See full summary »
Jim Slattery enters the state legislature, hopeful that he can make a difference. He finds dealing with endless rules and the majority opposition party frustrates any meaningful change but he stubbornly perseveres.
Walter Nichols, an older and experienced lawyer, serves as a mentor to two attorney brothers. Brian is the more cerebral sibling, better at research. The younger Neil is impulsive and prone... See full summary »
Recent law school graduate (Robert Reed) joins his father (E.G. Marshall) as the pair tackle challenging legal cases, often involving issues which were highly touchy for the times (abortion, euthanasia, "un-American" activities, movie censorship). In most the freshly minted lawyer has much to learn from his father's extensive legal experience. Written by
Ed Stephan <email@example.com>
Can this series really have been as inspiring as I thought it was at the time? If so, it must have had enormous effect on American society.
Certainly it dealt more courageously than any other show of the period with issues such as civil rights, religious and political oppression, faults in existing laws on divorce, narcotics and legal sanity, and the ethical problems of priests, doctors and lawyers.
And, as I remember, although E.G.Marshall (as Lawrence Preston) demanded our sympathy for his stand on these issues, there was always argument and challenge from Robert Reed (as his son, Kenneth), and humor prevented solemnity or sentimentality.
Actors such as Sylvia Sidney, Sam Wanamaker, Ruth Roman, Akim Tamiroff, Teresa Wright, and Jack Klugman played leading roles, but minor characters also came across as people of dignity and importance.
What impressed me most perhaps was Lawrence Preston's respect for THE LAW.
Won't some kind person allow us to see it again?
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