Lawrence is called to a luncheon with six Korean War Air Force veterans, ostensibly for legal advice. But soon after he arrives he learns the real reason: they want him to act as defense counsel as ...
Series of unrelated short stories covering elements of crime, horror, drama, and comedy about people of different backgrounds committing murders, suicides, thefts, and other sorts of crime caused by certain motivations, perceived or not.
Recent law school graduate (Robert Reed) joins his father (E.G. Marshall) as the pair tackle challenging legal cases, often involving issues which were highly touchy for the times (abortion, euthanasia, "un-American" activities, movie censorship). In most the freshly minted lawyer has much to learn from his father's extensive legal experience. Written by
Ed Stephan <firstname.lastname@example.org>
Can this series really have been as inspiring as I thought it was at the time? If so, it must have had enormous effect on American society.
Certainly it dealt more courageously than any other show of the period with issues such as civil rights, religious and political oppression, faults in existing laws on divorce, narcotics and legal sanity, and the ethical problems of priests, doctors and lawyers.
And, as I remember, although E.G.Marshall (as Lawrence Preston) demanded our sympathy for his stand on these issues, there was always argument and challenge from Robert Reed (as his son, Kenneth), and humor prevented solemnity or sentimentality.
Actors such as Sylvia Sidney, Sam Wanamaker, Ruth Roman, Akim Tamiroff, Teresa Wright, and Jack Klugman played leading roles, but minor characters also came across as people of dignity and importance.
What impressed me most perhaps was Lawrence Preston's respect for THE LAW.
Won't some kind person allow us to see it again?
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