Los Angeles is where Sgt. Nick Anderson and his fellow officers work to keep the streets safe. After the arrest of the accused, attorney John Egan plans their defense while the prosecution is lead by Jerry Miller.
Jim Slattery enters the state legislature, hopeful that he can make a difference. He finds dealing with endless rules and the majority opposition party frustrates any meaningful change but he stubbornly perseveres.
The story takes place in a large hospital and revolves around two nurses, Liz Thorpe (Shirl Conway), the older head nurse, and Gail Lucas, the naive student nurse. The two nurses were ... See full summary »
Neil Brock is a young social worker in the slums of New York City; his boss is Frieda Hechlinger; and Jane Foster is the office secretary. This dramatic series features stories about child ... See full summary »
George C. Scott,
A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received 18-Emmy nominations and five wins during its prestigious nine-year-run on ... See full summary »
Dr. Raymer is the mentor and also boss of Dr. McKinley Thompson at York Hospital. The actions centers around the lives of the people who eventually seek help and their situations rather than the treatment prescribed.
Recent law school graduate (Robert Reed) joins his father (E.G. Marshall) as the pair tackle challenging legal cases, often involving issues which were highly touchy for the times (abortion, euthanasia, "un-American" activities, movie censorship). In most the freshly minted lawyer has much to learn from his father's extensive legal experience. Written by
Ed Stephan <firstname.lastname@example.org>
This landmark TV series (1961-65) was years ahead of its time. It correlated many contemporary stories from the headlines and did so with uncompromising depth. The protagonist attorneys (The late E.G. Marshall, Robert Reed) lost nearly as many cases as they won, because the series focused on controversial social issues where there were no easy answers or solutions. This was reflected in the outcome of some episodes. The issues included abortion; euthanasia; capital punishment; censorship; blacklisting; criminal insanity; Nazis; cannibalism; and a variation of what is currently called "road rage." The first listed, "The Benefactor," was a compelling episode about abortion, years before it was legal. The last, "Death On Wheels," involved an enraged motorist who accidentally killed a pedestrian after a heated argument with his wife. A shocking case was the one about cannibalism. Two men were accused of murdering and literally devouring another man when they were all cast adrift in a lifeboat in the ocean. An unusual episode, "Mind Over Murder" involved a clairvoyant accused of murder based on ESP. The defendant's background was loosely parallel to the late psychic, Peter Hurkos.
The Defenders theme song coupled with an aerial view of the courthouses in Foley Square, New York City, were presented with the onset of each episode. Immediately before the theme, the viewer saw the actual crime being committed when possible, which was graphically realistic and sometimes unnerving. The lawyers then often interviewed their clients in a simulated version of "The Tombs," an archaic NYC jail. The late E.G. Marshall portrayed the lead attorney, Lawrence Preston, with flawless acting that was in a class by itself. Indeed, he was so convincing that it was difficult for me to think of him thereafter as anyone else. The style and integrity he displayed in The Defenders inspired my interest in the law and was one of the initial reasons I became a lawyer.
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