| William Holden | ... | Robert Lomax | |
| Nancy Kwan | ... | Suzie Wong | |
| Sylvia Syms | ... | Kay O'Neill | |
| Michael Wilding | ... | Ben Marlowe | |
| Jacqui Chan | ... | Gwennie Lee | |
| Laurence Naismith | ... | O'Neill | |
| Yvonne Shima | ... | Minnie Ho | |
| Andy Ho | ... | Ah Tong | |
| Lier Hwang | ... | Wednesday Lu | |
| Bernard Cribbins | ... | Otis | |
| Edwina Carroll | ... | Mrs. Marlowe | |
| Dervis Ward | ... | British Sailor | |
| Marian Spencer | ... | Dinner Guest | |
| Lionel Blair | ... | Dancing Sailor | |
| rest of cast listed alphabetically: | |||
| Ronald Eng | ... | Waiter (uncredited) | |
| Calvin Hsia | ... | Suzie's Baby (uncredited) | |
| David Langton | ... | Police Inspector (uncredited) | |
| Shan Lawrence | ... | Girl (uncredited) | |
| Robert Lee | ... | Barman (uncredited) | |
| Anthony Parker | ... | American Sailor (uncredited) | |
| Toke Townley | ... | Waiter (uncredited) | |
Directed by | |||
| Richard Quine | |||
Writing credits | ||
| Paul Osborn | (adaptation) | |
| Richard Mason | (novel) | |
| John Patrick | (screenplay) | |
Produced by | |||
| Hugh Perceval | .... | producer | |
| Ray Stark | .... | executive producer | |
Original Music by | |||
| George Duning | |||
Cinematography by | |||
| Geoffrey Unsworth | (director of photography) | ||
Film Editing by | |||
| Bert Bates | |||
Art Direction by | |||
| John Box | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Bill Griffiths | .... | hairdressing | |
| Neville Smallwood | .... | makeup artist | |
| George Partleton | .... | makeup artist (uncredited) | |
Production Management | |||
| R.L.M. Davidson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gus Agosti | .... | assistant director | |
| Gus Angus | .... | third assistant director (uncredited) | |
| David Bracknell | .... | second assistant director (uncredited) | |
Art Department | |||
| Syd Cain | .... | assistant art director (as Sydney Cain) | |
| Liz Moore | .... | paintings (as Elizabeth Moore) | |
| Roy Rossotti | .... | set dresser | |
Sound Department | |||
| Roy Baker | .... | sound editor | |
| Gerry Turner | .... | sound recordist | |
Camera and Electrical Department | |||
| Cecil Cooney | .... | camera operator (as Ces Cooney) | |
| Peter Hazel | .... | clapper (uncredited) | |
| Dennis C. Lewiston | .... | camera focus (uncredited) | |
Casting Department | |||
| Joe Powell | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Betty Adamson | .... | wardrobe mistress (uncredited) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Valerie Leslie | .... | assistant editor | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
| Reg Owen | .... | orchestrator | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Joshua Logan | .... | original stage director | |
| David Merrick | .... | original stage producer | |
| Pat Moon | .... | production secretary (uncredited) | |
| Maggie Shipway | .... | assistant to producer (uncredited) | |
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| My Own Private Idaho | The Devil Wears Prada | Away We Go | Monster's Ball | Giant |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
What an excellent movie. Not only is the script well done, and the acting superb, but the scenery is gorgeous even while showing the wretched underbelly of Hong Kong in the '60s. There had been a bunch of movies set in Hong Kong, when The World of Suzie Wong came out. But I think what set this movie apart was that instead of just showing that glitz & glamor, it showed the slums that the Chinese lived in. the struggles of the underclass. Their beliefs & dreams. Although the romance was average, and obvious where it was going, Richard Quine does an excellent job focusing on the other aspects of the movie.
& Nancy Qwan is just stunning. She lights up every scene that she is in. She also plays her character very well. I highly recommend this movie