| William Holden | ... | Robert Lomax | |
| Nancy Kwan | ... | Suzie Wong | |
| Sylvia Syms | ... | Kay O'Neill | |
| Michael Wilding | ... | Ben Marlowe | |
| Jacqui Chan | ... | Gwennie Lee | |
| Laurence Naismith | ... | O'Neill | |
| Yvonne Shima | ... | Minnie Ho | |
| Andy Ho | ... | Ah Tong | |
| Lier Hwang | ... | Wednesday Lu | |
| Bernard Cribbins | ... | Otis | |
| Edwina Carroll | ... | Mrs. Marlowe | |
| Dervis Ward | ... | British Sailor | |
| Marian Spencer | ... | Dinner Guest | |
| Lionel Blair | ... | Dancing Sailor | |
| rest of cast listed alphabetically: | |||
| Ronald Eng | ... | Waiter (uncredited) | |
| Calvin Hsia | ... | Suzie's Baby (uncredited) | |
| David Langton | ... | Police Inspector (uncredited) | |
| Shan Lawrence | ... | Girl (uncredited) | |
| Robert Lee | ... | Barman (uncredited) | |
| Anthony Parker | ... | American Sailor (uncredited) | |
| Toke Townley | ... | Waiter (uncredited) | |
Directed by | |||
| Richard Quine | |||
Writing credits | ||
| Paul Osborn | (adaptation) | |
| Richard Mason | (novel) | |
| John Patrick | (screenplay) | |
Produced by | |||
| Hugh Perceval | .... | producer | |
| Ray Stark | .... | executive producer | |
Original Music by | |||
| George Duning | |||
Cinematography by | |||
| Geoffrey Unsworth | (director of photography) | ||
Film Editing by | |||
| Bert Bates | |||
Art Direction by | |||
| John Box | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Bill Griffiths | .... | hairdressing | |
| Neville Smallwood | .... | makeup artist | |
| George Partleton | .... | makeup artist (uncredited) | |
Production Management | |||
| R.L.M. Davidson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gus Agosti | .... | assistant director | |
| Gus Angus | .... | third assistant director (uncredited) | |
| David Bracknell | .... | second assistant director (uncredited) | |
Art Department | |||
| Syd Cain | .... | assistant art director (as Sydney Cain) | |
| Liz Moore | .... | paintings (as Elizabeth Moore) | |
| Roy Rossotti | .... | set dresser | |
Sound Department | |||
| Roy Baker | .... | sound editor | |
| Gerry Turner | .... | sound recordist | |
Camera and Electrical Department | |||
| Cecil Cooney | .... | camera operator (as Ces Cooney) | |
| Peter Hazel | .... | clapper (uncredited) | |
| Dennis C. Lewiston | .... | camera focus (uncredited) | |
Casting Department | |||
| Joe Powell | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Betty Adamson | .... | wardrobe mistress (uncredited) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Valerie Leslie | .... | assistant editor | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
| Reg Owen | .... | orchestrator | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Joshua Logan | .... | original stage director | |
| David Merrick | .... | original stage producer | |
| Pat Moon | .... | production secretary (uncredited) | |
| Maggie Shipway | .... | assistant to producer (uncredited) | |
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| My Own Private Idaho | The Devil Wears Prada | Away We Go | Monster's Ball | Giant |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Long before "Pretty Woman", "Maid in Manhattan" and "In the Mood For Love" were dreamed up, we have this beautiful film from the fifties which is the meatiest of them all.
True the film is a bit long, but this does not detract from the general impression it gives to the spectator.
The dialogues are sublime, the technicolor is wonderful and both protagonists are very beaufiful actors. I saw this on TV and would dearly love to have it on DVD ( chance would be a fine thing !!! ) to have a better sound quality for the dialogues.
For pure unadulterated romance and passion, this film is hard to beat. One gets the impression that it was rather ahead of its time when it came out.
Lastly, those frightening landslide sequences close to the end are really impressive, and the "baby's funeral" also leaves a bitter taste in the mouth.
A truly magnificent film, seemingly little known today, and which would gain from being made better known to the general public .......