Patrick Foley has been on the move all his life. Tired of drifting, he wants to spend his last days in an isolated Australian valley where he grew up. On his difficult journey he meets ... See full summary »
Robert Lomax, tired of working in an office, wants to be an artist. So he moves to Hong Kong to try his hand at painting. Finding a cheap hotel, he checks in, only to find it's used by prostitutes and their "dates" they meet in the bar downstairs. Since he never picks up any of the ladies, they all want to know more about him. Eventually, he does hire one to model for him... and soon falls in love. However, since he's on a limited budget, he can't afford her exclusively, but doesn't want to "share" her with anyone else. Written by
Brian W Martz <B.Martz@Genie.com>
As an former student of the Royal Ballet School in London, a 20-year-old Nancy Kwan was discovered by producer Ray Stark after the coveted role of Suzie Wong was up for grabs when French-Vietnamese actress France Nuyen suffered a bout of chronic laryngitis. See more »
When Robert Lomax (Holden) begins to strip the European clothes off Suzy Wong (Kwan), her hair is piled smartly up under her cap and can be seen to remain that way. However, when Lomax goes to pull the cap off her head, Suzy's long tresses are fully down and covering her back. See more »
If I were a prizefighter, and I kept getting my brains knocked out, I'd be foolish if I didn't quit.
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"I Can't pay you much, but I'd like you to pose for me."
The setting is Hong Kong in the late fifties
The film tells the story of a bittersweet love affair between an American architect who has decided to try painting and a wonderful Asian girl who uses with vigor and diligence her essentially dirty trade in a turmoil of mischievous fantasy
Suzie Wong (Nancy Kwan), attracted to Robert Lomax (Holden), offers to be his "steady girlfriend," but a world-weary Lomax informs her that he has had enough of love and wants only to paint
Paint he does, and the irresistible hooker, appointed as a model, appears in his work in a variety of poses A compassionate Lomax suddenly realizes he loves her and takes her as his mistress
There are comic moments in Richard Quine's movie concerning the lies Suzie relates to win the respect of her prostitute friends and her drunken admirer, Ben (Michael Wilding).
Nancy Kwan in her film's debut displays a large range of feelings, alternating hardness, affection, and affinity
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