Robert Lomax tired of working in an office, wants to be an artist. So he moves to Hong Kong to try his hand at painting. Finding a cheap hotel he checks in, only to find it's used by ... See full summary »
Robert Lomax tired of working in an office, wants to be an artist. So he moves to Hong Kong to try his hand at painting. Finding a cheap hotel he checks in, only to find it's used by prostitutes and their 'dates' who meet in the bar downstairs. Since he never picks up any of ladies, they all want to know more about him. Eventually he does hire one to model for him, but soon falls in love. But, since he's on a limited budget, he can't afford her exclusively, and doesn't want to 'share' her. Written by
Brian W Martz <B.Martz@Genie.com>
When Robert Lomax (Holden) begins to strip the European clothes off Suzy Wong (Kwan), her hair is piled smartly up under her cap and can be seen to remain that way. However, when Lomax goes to pull the cap off her head, Suzy's long tresses are fully down and covering her back. See more »
"I Can't pay you much, but I'd like you to pose for me."
The setting is Hong Kong in the late fifties
The film tells the story of a bittersweet love affair between an American architect who has decided to try painting and a wonderful Asian girl who uses with vigor and diligence her essentially dirty trade in a turmoil of mischievous fantasy
Suzie Wong (Nancy Kwan), attracted to Robert Lomax (Holden), offers to be his "steady girlfriend," but a world-weary Lomax informs her that he has had enough of love and wants only to paint
Paint he does, and the irresistible hooker, appointed as a model, appears in his work in a variety of poses A compassionate Lomax suddenly realizes he loves her and takes her as his mistress
There are comic moments in Richard Quine's movie concerning the lies Suzie relates to win the respect of her prostitute friends and her drunken admirer, Ben (Michael Wilding).
Nancy Kwan in her film's debut displays a large range of feelings, alternating hardness, affection, and affinity
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