A young field administrator for the TVA comes to rural Tennessee to oversee the building of a dam on the Tennessee River. He encounters opposition from the local people, in particular a ... See full summary »
In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead, a vulgar ... See full summary »
A young field administrator for the TVA comes to rural Tennessee to oversee the building of a dam on the Tennessee River. He encounters opposition from the local people, in particular a farmer who objects to his employment (with pay) of local black laborers. Much of the plot revolves around the eviction of an elderly woman from her home on an island in the River, and the young man's love affair with that woman's widowed granddaughter. Written by
Sam Neff <firstname.lastname@example.org>
Lee Remick picked out two local Charleston kids to play her children. She chose the little girl because she looked like Lee at age 7. She chose the little boy because he loved hugging and kissing Lee. See more »
At the beginning of the film Chuck comes to town on a Greyhound bus. The bus is a late 40's early 50's model bus. Much larger then the buses used in 1934. See more »
[Referring to his drunkenness]
I apologize for the other night.
First and only time I ever liked you!
[Slams the door in his face]
See more »
There is little to add to the eloquent appreciations of Wild River by other users. Still, I want to pay my tribute. My father took me to see the film when I was a little girl and it made such an impression on me I have been searching for it for years. Odd, since I remembered nothing of the plot, retaining only fleeting images of autumn colours, Lee Remick's autumnal hair, the old ferry, an indelible impression of Montgomery Clift's face, the old woman surrounded by still 'figures in a landscape'. And the creation of a unique atmosphere so tangible, so lyrical, so elegiac it stayed with me for 40+ years. I've been wanting to know why it clung to me so. And wondering why it seemed to have disappeared without trace. This Christmas, in the fullness of time, my niece presented me with the DVD and I have at last seen it again. Why did it affect me so profoundly? That one's easy. Why had the film disappeared. That one's complex, as you know. What I hadn't expected was that stunning performance from the incomparable Jo Van Fleet. No Oscar? Were they mad? It is intensely interesting and sobering to reflect how politics can hold art hostage.
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