Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
A young field administrator for the TVA comes to rural Tennessee to oversee the building of a dam on the Tennessee River. He encounters opposition from the local people, in particular a farmer who objects to his employment (with pay) of local black laborers. Much of the plot revolves around the eviction of an elderly woman from her home on an island in the River, and the young man's love affair with that woman's widowed granddaughter. Written by
Sam Neff <firstname.lastname@example.org>
The wildness of nature meets the discipline of art.
Once again I endured American Movie Classics' merciless mangling of one of their rarely shown archival masterpieces, "Wild River," shown non-letterboxed, interrupted excessively by endless strings of commercials and their completely unpalatable promotions for showings of future films and special programs. I've complained about this in other IMDb comments I've posted so I won't give into the almost irresistible temptation to rail against AMC once more. That said...
This film contains one of the all-time greatest performances by an American actress that it is possible to see. Jo Van Fleet is so convincing as the intransigent matriarch, who refuses to leave her island, that the injustice of her not receiving an Academy Award nomination for her performance still rankles. Perhaps the members of the Academy could not decide to grant her a nomination as the lead actress or as an actress in a supporting role and muffed the chance to show their admiration. Other comments here aptly point out all of the other outstanding elements in this film and the pain of seeing it so diminished in this TV broadcast (I did see it during its theatrical release, but had forgotten how eloquently most of it was done.) was, nevertheless, worthwhile. I join others who have expressed a desire for a DVD release (where the CinemaScope ratio would be approximated, we can hope.) Wish we could persuade Fox Classics to see if the response to a video audience would exceed the neglect this film was subjected to during its first exposure to the paying public.
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