In Kurosawa's HAMLET-like story of corporate scandal in post-war Japan, a young man attempts to use his position at the heart of a corrupt company to expose the men responsible for his father's death. Written by
Bernard Keane <BKeane2@email.dot.gov.au>
Contract Officer Shirai:
I met the young lady twice while plannung the wedding. She's a genuinely sweet person. When I think of her agony, I wish a peaceful resolution were possible.
Unfortunately there just isn't any way. That man's evil! If we hesitate, we're finished.
See more »
I am watching Kurosawa's full collection and the more I watch, the more I love the art of "The Emperor". And unlike many Kurosawa's fans, my preferred films are those that talk about the time Kurosawa lived, not about the samurai ages. Again, Kurosawa uses the literature classics (for this film, Shakespeare's "Hamlet") as a source for his stories, proving that the subjects they talked about are still modern. Anyway, the genius of Kurosawa is quite big to make their film be not just a cinema remake of those texts, but an original, exciting plot. And again, Kurosawa gives us a film with a clear and worrying social message, a denounce to a serious problem (company and state corruption that even today still darkens the image of a "100% legal" Japan). A film to enjoy and film to learn about Japanese society and life in a general way.
11 of 12 people found this review helpful.
Was this review helpful to you?