Singer Steve, friend Seymour and fiance Jane, along with her dizzy blonde room mate Irma, have a series of misadventures on a California-bound train and end up involved with a gang of murderous gangsters in Las Vegas.
Although allergic to kissing girls, Seaman Melvin Jones, through a fluke TV appearance, gets the undeserved reputation of a great kisser dubbed "Mr. Temptation" and is pursued by amorous young females.
In Jerry Lewis's first film in a decade, he plays Bo Hooper, an unemployed circus clown who can't seem to hold down a job. The film opens with a brief montage of clips from past Lewis ... See full summary »
When a star comedian dies, his comedy team, decides to train a nobody to fill the shoes of the Star in a big TV show (a Patsy). But the man they choose, bellboy Stanley Belt, cant do ... See full summary »
Jerry Lewis is Kreton, a childish alien who, against his teacher's will leaves his planet to visit the Earth, and lands in the backyard of a famous television journalist who doesn't believe in U.F.O's and aliens. Wanting to study humans but not able to fully understand them, Kreton makes a mess out of it, generating a lot of comic situations. Written by
Gore Vidal, who wrote the original play, was upset with the choice of Jerry Lewis as the lead in the movie version. On Broadway, Vidal's play ran for 388 performances between Feb 7, 1957 and Jan 11, 1958, and won Cyril Ritchard, originator of the Kreton character, a 1957 Tony Award nomination for Best Actor in Play. But Jerry Lewis was a star, twelve times named to the Top Ten list of Box Office Stars, six times with partner Dean Martin (with whom he was the top star of 1952), and six times solo (ranking as high as #3 in 1958). He got the part. See more »
Curious Jerry Lewis enterprise is better than most...
Goofy alien Jerry Lewis lands on Earth, decides to try the suburban way of life for awhile, angering his superior officers in space. Screenwriter Edmund Beloin adapted Gore Vidal's play, but it doesn't seem directly tailored for Lewis' mugging talents--which is a blessing. The material is actually quite sophisticated, with a fair amount of witty lines and good supporting performances by Joan Blackman, Earl Holliman and Gale Gordon. Jerry Lewis himself isn't bad; he had yet to be reeled-in by a strong director, but he isn't grating or overtly offensive here. There's some surprising, modern humor in this scenario, while the production, the (minimal) special effects, and Loyal Griggs' black-and-white cinematography are all first-rate. Lots of fun! **1/2 from ****
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