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Alberto de Mendoza
In the small English village of Midwich everybody and everything falls into a deep, mysterious sleep for several hours in the middle of the day. Some months later every woman capable of child-bearing is pregnant and the children that are born out of these pregnancies seem to grow very fast and they all have the same blond hair and strange, penetrating eyes that make people do things they don't want to do. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Just before the credits, there's a long crane shot which ends in the trees. It's obvious that the crane snagged a branch on its way up, because a branch suddenly snaps into the frame. They follow the shot with a brief view of other branches waving around, as though to cover the mistake...but the first branch was *not* blowing in the wind. See more »
Prof. Gordon Zellaby:
Good morning. Uh, would you get me Major Bernard at his Whitehall number? Thank you.
See more »
This classic low budget, black and white film is right up there with the best of the sci-fi/horror movies of the time. It appears that it was shot on a very low budget ($300,000), thus no special effects beyond the superimposed glowing eyes of the children and the burning house at the end (not much of an effect). But it became a real moneymaker and a cult developed around it. They went on to make a sequel which doesn't live up to the original.
The cast, though limited, is quite good. The ever sophisticated, urbane, George Sanders as the scientist; Barbara Shelley from Hammer films as his wife; and little Martin Stephens as David, putative offspring of Shelley and Sanders. This kid is evil personified and does a bang-up job for such a youngster.
The story involves the village of Midwich and the birth of 12 children fathered in a very strange way that is never totally explained, who are intellectual giants with one purpose.....take over the world. Should they be destroyed or studied?....that's the problem facing Sanders and the government. Sanders comes to the inevitable conclusion and because they can read his thoughts, he must think of a brick wall in order to mask his intent. The ending, although not surprising is still effective.
This film is a keeper and is recommended to all those who like their films straight to the point without all the special effects and computer generated action. It's minimal with maximum punch.
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