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Western about racial intolerance focuses around Kiowa claim that the Zachary daughter is one of their own, stolen in a raid. The dispute results in other whites turning their backs on the Zacharys when the truth is revealed by Mother. Cash, the hotheaded brother, reacts violently upon learning his "sister" is a "red-hide Indian." He leaves the family but returns to help them fight off an Indian raid. Written by
The original writer J. P. Miller and original director Delbert Mann originally envisioned "The Unforgiven" as a gritty, unglamorous, but accurate picture of post-Civil War Texas life, much as John Ford had earlier done with Alan LeMay's "The Searchers." Hecht/Hill/Lancaster wanted to ensure its commerciality and change the film's direction. They wanted to cast Kirk Douglas as Lancaster's brother, which would throw off the balance in the brothers' relationship. His first effort at a rewrite did not work and after fifty pages into the second rewrite, the writer quit the film and broke off his relationship with the producers. Mann soon followed. They were replaced by Ben Maddow, John Gay, and John Huston. When it was decided not to use Douglas, Tony Curtis and then Richard Burton were cast before Audie Muephy was ultimately chosen. See more »
When Ben goes out with his brother Cash to find Abe Kelsey, he is not wearing neckerchief. Later in the country, when he dismounts, he is using a neckerchief. See more »
[yelling at a cow eating grass growing on the Zachary family's roof]
Shoo now! Shoo! Ain't you got no better manners than to eat at the top of a house?
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This film, The Unforgiven, as opposed to Clint Eastwood's classic is taken from a novel by Alan LeMay who also wrote The Searchers. Both stories are about the post Civil War Texas frontier. But in this one we have the Indians seeking out one of there's who's been taken by whites and raised as one of their own. The person in question is Audrey Hepburn who's been raised by Lillian Gish as her own daughter and sister to her three sons, Burt Lancaster, Audie Murphy, and Doug McClure.
It was an unwritten law of Hollywood that no one shoots a film in Monument Valley except John Ford. So John Huston made due with Durango in Mexico which had become a favorite western location site also. Huston got some good performances out of his cast although he had many problems.
Audrey Hepburn fell off a horse and was injured for a few weeks. Audie Murphy nearly drowned in a river. Topping it all off, according to a recent biography of Burt Lancaster was the fact that Lillian Gish served as a kind of back seat driver to John Huston. She was forever telling him that D.W. Griffith did this or that a different way. But apparently Ms. Gish was satisfied with the finished product because she acclaimed Huston as another Griffith when it was over.
The story really gets going when some Kiowas come knocking on Lillian Gish's door demanding Audrey Hepburn's return. When it's discovered that Hepburn in fact is an Indian, the reaction of the neighbors and some of the family is to send her back. Lancaster, Gish, and McClure aren't having it though.
The Unforgiven was butchered in the editing department. One role that was mostly left on the cutting room floor apparently was John Saxon as a halfbreed named Johnny Portugal. Standing out though is Joseph Wiseman as the crazy ex-cavalryman now turned preacher who has a hate for Audrey Hepburn. Why he does you'll have to see the film, but it's an interesting problem.
Its parts, its individual performances make The Unforgiven an uneven film where the whole is not greater than the sum of those parts.
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