Cattle baron Matt Devereaux raids a copper smelter that is polluting his water, then divides his property among his sons. Son Joe takes responsibility for the raid and gets three years in ... See full summary »
Odd Western about racial intolerance focuses around Kiowa claim that the Zachary daughter is one of their own, stolen in a raid. The dispute results in other whites' turning their backs on the Zacharys when the truth is revealed by Mother. Murphy plays Cash, the hotheaded brother who reacts violently to learning his "sister" is a "red-hide Indian." He leaves the family but returns to help them fight off an Indian raid during which Hepburn kills her Kiowa brother, thus choosing sides once and for all. Written by
Before filming began, director John Huston and star Burt Lancaster took actress Lillian Gish out to the desert to teach her how to shoot, which she would have to do in the film. However, Huston was astounded to discover that Gish could shoot more accurately, and faster, than both he and Lancaster, who thought themselves expert marksmen. It turned out that early in her career Gish was taught how to shoot by notorious western outlaw and gunfighter Al J. Jennings, who had become an actor after his release from a long prison sentence for train robbery and was in the cast of one of her films. She found that she liked shooting and over the years had developed into an expert shot. See more »
In the scene where the piano is delivered, Lancaster's hair style changes again and again, from trimmed to long, from wind swept to coiffured. See more »
[yelling at a cow eating grass growing on the Zachary family's roof]
Shoo now! Shoo! Ain't you got no better manners than to eat at the top of a house?
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This classic film from one of the greatest directors of the 20th century boasts an incredible cast: Audrey Hepburn, Lillian Gish (silent films), Burt Lancaster, Audie Murphy (war hero), a young Doug McClure, all of whom show classic acting at its finest. Go beneath the dialogue and watch the body movements, facial expressions and withheld, unspoken emotion of these superb actors (esp Gish and Lancaster). Check out the incredible performance of the wraith-like, howling itinerant evangelist (Joseph Wiseman) who seems to know the "secret". The score by Dmitri Tiomkin is terrific, with a minimum of Hollywood-style Native American drumming (and flute playing. Indeed, the music played by the Kiowas during the "break" was fascinating. Although the story is set in 1800s Texas panhandle, the theme is universal and hard-hitting: racism, and a family divided by their differing views. I found the portrayal of the Kiowa culture to be accurate, esp the use of costumes and rituals. Remember, this film was made in 1960, a time when racial intolerance was rarely put on film, and the fair presentation of Native Americans was almost non-existent. Indeed, this is why Huston wanted this project. Remarkably, this film is NOT pro-Indian or pro-settler, rather it's an honest depiction of a clash of cultures. My only disappointment, a minor one, was that the film ended rather abruptly for my taste, almost as if they ran out of film. But then again, I'm not a director! I found interesting background on the making of this film at dvdverdict.com
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