| Paul Massie | ... | Dr. Henry Jekyll / Mr. Edward Hyde | |
| Dawn Addams | ... | Kitty Jekyll | |
| Christopher Lee | ... | Paul Allen | |
| David Kossoff | ... | Dr. Ernst Litauer | |
| Norma Marla | ... | Maria | |
| Francis De Wolff | ... | Inspector | |
| Joy Webster | ... | Jenny | |
| rest of cast listed alphabetically: | |||
| Maria Andipa | ... | Gypsy Girl (uncredited) | |
| Frank Atkinson | ... | Groom (uncredited) | |
| Archie Baker | ... | Singer (uncredited) | |
| Glenn Beck | ... | Young Blood (uncredited) | |
| John Bonney | ... | Renfrew (uncredited) | |
| Ralph Broadbent | ... | Singer (uncredited) | |
| Alan Browning | ... | Young Blood (uncredited) | |
| Rodney Burke | ... | Young Blood (uncredited) | |
| Percy Cartwright | ... | Coroner (uncredited) | |
| Dennis Cleary | ... | Waiter (uncredited) | |
| Bandana Das Gupta | ... | Sphinx Girl (uncredited) | |
| J. Trevor Davies | ... | Officer (uncredited) | |
| Roy Denton | ... | Business Man (uncredited) | |
| Pauline Dukes | ... | Sphinx Girl (uncredited) | |
| Clifford Earl | ... | Young Blood (uncredited) | |
| Janina Faye | ... | Jane, deafmute child (uncredited) | |
| Felix Felton | ... | First Gambler (uncredited) | |
| Kenneth Firth | ... | Business Man (uncredited) | |
| Helen Goss | ... | Nanny (uncredited) | |
| Walter Gotell | ... | Heverton - Second Gambler (uncredited) | |
| Hazel Graeme | ... | Sphinx Girl (uncredited) | |
| Lucy Griffiths | ... | Tavern Woman (uncredited) | |
| Carole Haynes | ... | Sphinx Girl (uncredited) | |
| Prudence Hyman | ... | Tavern Woman (uncredited) | |
| Doreen Ismail | ... | Second Sphinx Girl (uncredited) | |
| Anthony Jacobs | ... | Third Gambler (uncredited) | |
| Josephine Jay | ... | Sphinx Girl (uncredited) | |
| William Kendall | ... | Clubman (uncredited) | |
| Roberta Kirkwood | ... | Second Brass (uncredited) | |
| Jean Long | ... | Sphinx Girl (uncredited) | |
| Arthur Lovegrove | ... | Cabby (uncredited) | |
| George McGrath | ... | Business Man (uncredited) | |
| Alex Miller | ... | Singer (uncredited) | |
| Magda Miller | ... | Sphinx Girl (uncredited) | |
| John Moore | ... | Officer (uncredited) | |
| Anthony Pendrell | ... | Cabinet Minister (uncredited) | |
| Oliver Reed | ... | Tough (uncredited) | |
| Laurence Richardson | ... | Singer (uncredited) | |
| Marilyn Ridge | ... | Sphinx Girl (uncredited) | |
| Doug Robinson | ... | Boxer (uncredited) | |
| Joe Robinson | ... | Corinthian (uncredited) | |
| Gundel Sargent | ... | Sphinx Girl (uncredited) | |
| Patricia Sayers | ... | Sphinx Girl (uncredited) | |
| Shirli Scott-James | ... | Sphinx Girl (uncredited) | |
| Moyna Sharwin | ... | Sphinx Girl (uncredited) | |
| Denis Shaw | ... | Tavern Customer (uncredited) | |
| Pauline Shepherd | ... | Mary, the young prostitute (uncredited) | |
| Fred Stone | ... | Cabinet Minister (uncredited) | |
| Donald Tandy | ... | Rogers - Plainclothesman (uncredited) | |
| Joan Tyrrell | ... | The Major Domo (uncredited) | |
| Mackenzie Ward | ... | Business Man (uncredited) | |
| Joyce Wren | ... | Nurse (uncredited) | |
Directed by | |||
| Terence Fisher | |||
Writing credits | ||
| Wolf Mankowitz | (screenplay) | |
| Robert Louis Stevenson | novel "The Strange Case of Dr. Jekyll and Mr. Hyde" (uncredited) | |
Produced by | |||
| Michael Carreras | .... | producer | |
| Anthony Nelson Keys | .... | associate producer (as Anthony Nelson-Keys) | |
Original Music by | |||
| David Heneker | |||
| Monty Norman | |||
Cinematography by | |||
| Jack Asher | |||
Film Editing by | |||
| Eric Boyd-Perkins | |||
Production Design by | |||
| Bernard Robinson | |||
Art Direction by | |||
| Don Mingaye | |||
Costume Design by | |||
| Mayo | |||
Makeup Department | |||
| Roy Ashton | .... | makeup artist | |
| Ivy Emmerton | .... | hairdresser | |
Production Management | |||
| Clifford Parkes | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Peverall | .... | assistant director | |
| Hugh Harlow | .... | second assistant director (uncredited) | |
Sound Department | |||
| Archie Ludski | .... | sound editor | |
| Jock May | .... | sound recordist | |
Camera and Electrical Department | |||
| Len Harris | .... | camera operator | |
| Tom Edwards | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Molly Arbuthnot | .... | wardrobe supervisor | |
Editorial Department | |||
| James Needs | .... | supervising editor | |
Music Department | |||
| David Heneker | .... | songs composed by | |
| John Hollingsworth | .... | musical supervisor | |
| Monty Norman | .... | songs composed by | |
Other crew | |||
| Tilly Day | .... | continuity | |
| Julie Mendez | .... | dance director | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Very nice and quite original adaptation of this often (ab)used material. This is probably the only version where Hyde is actually more handsome, social and sexy - even in a sort of school-boyish way to begin with - than Jekyll, who is a total wet blanket. There is indeed one of the sexiest performances by Christopher Lee in the film. I'm very happy he isn't in the lead role - I suggest he would have been directed to be his usual grim and menacing self again. Instead of that we get a smiling, easy-going Lee, dripping with wicked charm and sexuality. There aren't many available films to see him still under 40, so if you are a fan of his, I suggest you check this one out. Sure, it tends to be a bit melodramatic, but fortunately everyone around the poor, misunderstood Jekyll is so delightfully evil - his double-crossing wife, and double double-crossing friend - that the dramatic outbursts are nicely suppressed. Also, you get a very intimate close up at the holiest of holies of a scantily dressed snake charmer, and we get the "b"-word loud and clear - rather nice for 1960. Nice sets, nice Victorian frolics, very good looking cast, and generally a more fun version of the book than we usually get. I only have a strange looking pan and scan bootleg version of this film, which obviously was shot in widescreen. Typical vibrant colours of the period, good score and expert direction plus mostly proper British accent from everyone in the cast. I'm very glad I stumbled upon this film, and should I ever see a legitimate widescreen version released, I'd snatch it without a second thought. I'm rich, you see.