Major Jock Sinclair has been in this Highland regiment since he joined as a boy piper. During the Second World War, as Second-in-Command, he was made acting Commanding Officer. Now the ...
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A charming and ambitious young man finds many ways to raise himself through the ranks in business and social standing- some honest, some not quite so. If he can just manage to avoid a ... See full summary »
On the H.M.S. Defiant, during the French Revolutionary Wars, fair Captain Crawford is locked in a battle of wills against his cruel second-in-command Lt. Scott-Paget whose heavy-handed command style pushes the crew to mutiny.
Major Jock Sinclair has been in this Highland regiment since he joined as a boy piper. During the Second World War, as Second-in-Command, he was made acting Commanding Officer. Now the regiment has returned to Scotland, and a new commanding officer is to be appointed. Jock's own cleverness is pitted against his new CO, his daughter, his girlfriend, and the other officers in the Mess. Written by
Aryk Nusbacher <firstname.lastname@example.org>
In one of the venomous exchanges between the Scots pipe-major (Duncan Macrae) and the English RSM (Percy Herbert), the former advises the latter to go and watch his television set, adding that "Muffin the Mule (1946) is on at four o'clock". This refers to a famous British children's programme of the early 1950s, which was presented by Annette Mills - the sister of John Mills, who plays the colonel of the regiment in this film. See more »
At almost no stage does the bagpipe music we hear on the soundtrack match the pipers' fingering we see. In addition, during the band practice scene the band goes from being in step with the music (first beat of the bar on the left foot) to out of step to back in step again. See more »
I finally had the chance to see this film in its entirety on Bravo a few days ago. Ronald Neame was not a director of the first rank, and he probably wasnt even a director of the second, but this is NOT a directors picture. It is a picture carried by superb acting and a brilliant script.I am now convinced that Guinness was one of the greatest screen actors that ever lived-if not the greatest.. This performance surpasses even his Colonel Nicholson in Bridge on the River Kwai, or his magnificent performances in the Ealing comedies. His boorish, arrogant, but oddly touching and vulnerable Jock Sinclair is a full length portrait worthy of Rembrandt-or Dostoevsky.John Mills, as the "by the book " colonel, whose aloof exterior hides enormous psychic scars, is almost equally good.Dennis Price, as a friend who turns his back on Sinclair, and the superb Gordon Jackson ( he was a great actor long, long before Upstairs Downstairs)as a restrained, sensitive officer who tries ineffectually to help both antagonists, are almost equally good. All of the other performances are very fine.The films beautifully written, sometimes funny, usually achingly sad script is a profound meditation on honor, tradition, repression and class conflict. Guinnesses soliloquy at the end is one of the most heart-breaking moments in all of film.
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