Major Jock Sinclair has been in this Highland regiment since he joined as a boy piper. During the Second World War, as Second-in-Command, he was made acting Commanding Officer. Now the ... See full summary »
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Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
An amnesiac World War I vet falls in love with a music hall star, only to suffer an accident which restores his original memories but erases his post-War life.
Major Jock Sinclair has been in this Highland regiment since he joined as a boy piper. During the Second World War, as Second-in-Command, he was made acting Commanding Officer. Now the regiment has returned to Scotland, and a new commanding officer is to be appointed. Jock's own cleverness is pitted against his new CO, his daughter, his girlfriend, and the other officers in the Mess. Written by
Aryk Nusbacher <nusbacher-a@rmc.ca>
Joan Hicksoncan be seen among the party-guests at the castle just before Barrow blows his cool. A brief exchange with him appears to be edited out. See more »
Goofs
Major Sinclair starts the first day of Colonel Barrow's command still wearing his previous acting Colonel rank. Half way through the day (between the assault course and watching the pipers) his rank changes to Major. Whilst it is possible he might have had his jacket altered over between the scenes, it is not possible that Colonel Barrow (a stickler for uniform regulations) would not have mentioned this at the start of the day. See more »
Quotes
Jock Sinclair:
So, tell me Corporal, are your intentions honorable?
Cpl. Fraser:
Aye, sir.
Jock Sinclair:
Then you're a damn fool. You leave "honorable intentions" to fathers like me.
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I finally had the chance to see this film in its entirety on Bravo a few days ago. Ronald Neame was not a director of the first rank, and he probably wasnt even a director of the second, but this is NOT a directors picture. It is a picture carried by superb acting and a brilliant script.I am now convinced that Guinness was one of the greatest screen actors that ever lived-if not the greatest.. This performance surpasses even his Colonel Nicholson in Bridge on the River Kwai, or his magnificent performances in the Ealing comedies. His boorish, arrogant, but oddly touching and vulnerable Jock Sinclair is a full length portrait worthy of Rembrandt-or Dostoevsky.John Mills, as the "by the book " colonel, whose aloof exterior hides enormous psychic scars, is almost equally good.Dennis Price, as a friend who turns his back on Sinclair, and the superb Gordon Jackson ( he was a great actor long, long before Upstairs Downstairs)as a restrained, sensitive officer who tries ineffectually to help both antagonists, are almost equally good. All of the other performances are very fine.The films beautifully written, sometimes funny, usually achingly sad script is a profound meditation on honor, tradition, repression and class conflict. Guinnesses soliloquy at the end is one of the most heart-breaking moments in all of film.
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I finally had the chance to see this film in its entirety on Bravo a few days ago. Ronald Neame was not a director of the first rank, and he probably wasnt even a director of the second, but this is NOT a directors picture. It is a picture carried by superb acting and a brilliant script.I am now convinced that Guinness was one of the greatest screen actors that ever lived-if not the greatest.. This performance surpasses even his Colonel Nicholson in Bridge on the River Kwai, or his magnificent performances in the Ealing comedies. His boorish, arrogant, but oddly touching and vulnerable Jock Sinclair is a full length portrait worthy of Rembrandt-or Dostoevsky.John Mills, as the "by the book " colonel, whose aloof exterior hides enormous psychic scars, is almost equally good.Dennis Price, as a friend who turns his back on Sinclair, and the superb Gordon Jackson ( he was a great actor long, long before Upstairs Downstairs)as a restrained, sensitive officer who tries ineffectually to help both antagonists, are almost equally good. All of the other performances are very fine.The films beautifully written, sometimes funny, usually achingly sad script is a profound meditation on honor, tradition, repression and class conflict. Guinnesses soliloquy at the end is one of the most heart-breaking moments in all of film.