Corey is a cool, aristocratic thief, released from prison on the same day that Vogel, a murderer, escapes from the custody of the patient Mattei, a cat-loving police superintendent. Corey ... See full summary »
Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend ... See full summary »
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Just as 4 cell-mates are about to launch their elaborate escape from a tiny cell, a detainee from a cell-block under repair is transferred in. The 4 all face certain conviction & long sentences. Does the young new jail-mate have the same incentive & if so can they trust him ? Written by
Le Trou played on TV the other night, and thus gives me a chance to evaluate it after 20 years or so. The direction is magnificent: Becker was a genius at refining the elements of the story down to a bare minimum. Space is used well; the close-ups of men banging on concrete with improvised tools in a cramped space are very effective, they look like burrowing animals. Ghislain Cloquet was a master of black-and-white camerawork; he shot Mouchette and Au hasard, Balthazar for Bresson, Nuit et brouillard for Resnais, Le Feu follet for Malle, all great films made greater by Cloquet's work.
The endless dull routine enlivened by subterfuge--stealing materials needed for digging and making puppets to stand in for sleeping prisoners is brilliantly captured. If the prisoners are bored, so are the staff--the warden is desperate for some conversation with Gaspard, or with anybody. Geo's problem is a little hard to understand, I thought he'd want to go through with the plan. Otherwise I rate it very highly indeed.
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