Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ...
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Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Some time after "Baisers Volés", Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, Momo and Ernest. We will discover that Charlie's real name is Edouard Saroyan, once a virtuose who gives up after his wife's suicide. Charlie now has to deal wih Chico, Ernest, Momo, Fido (his youngest brother who lives with him), and Lena... Written by
Although this was a hit with the critics, it bombed at the box office. Enough to make François Truffaut forgo his improvisational techniques and return to regular scripted drama. See more »
When Lena and Charlie walk home after work you can see the shadow of the camera on their coats. See more »
Once, when all my shorts were at the laundry, I put on silk panties that belonged to my sister. Ah! Some funny sensation it gave me! From that day on I understood why they all crave it, why they never have enough. Because we men, we have pants on. But girls, with their short dresses, it's skin rubbing on skin all day long!
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It doesn't feel like a typical Truffaut film - though I've only seen two others from his filmography - in that it's as stylish and self-reflexive as a Godard film. I had got the sense that Truffaut was more 'conventional' in his films, and this one certainly went against it. Not that I'm complaining, though - it's probably the funniest New Wave flick that I've seen. There are loads of little comic moments that reminded me of the modern British comedies - stuff like Snatch and Shaun of the Dead - that I love. But it's also got a dark edge, and not in the black comedy sense. It's pretty depressing, and that's where it fits in line with Truffaut's other films. It's not the relatively light-hearted depression of Godard's films, it's full-fledged tragedy. However, the combination of drama and comedy doesn't always mesh well, as it rarely does for me, and the characters seem too short-changed to justify such an ending. Still, it's very witty and fairly entertaining.
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