Marion Forbes is the secretary, the lover and the creator of the financial fortunes of Harry Chapman, but Chapman falls in love with Francis and decides to marry her. The revenge of Marion ... See full summary »
Jacques Cournot, a freelance skipper, is hired by Mr Hendrix in Santo Domingo, first of all to advise him regarding the acquisition of a sailing boat. After a thorough inspection of a ... See full summary »
A woman who believes she has been chosen by God to heal people is taken in by a greedy promoter and his shrewish wife to make the rounds of the rural South - she to save souls and heal the ... See full summary »
In this film, the local mob wipes out an entire family for revenge, with the exception of a sweet little old aunt and her two daughters. Unfortunately for the killers, the sweet little old ... See full summary »
Andrée de Beaumont
Marion Forbes is the secretary, the lover and the creator of the financial fortunes of Harry Chapman, but Chapman falls in love with Francis and decides to marry her. The revenge of Marion is terrible. With the help of the third voice she kills Harry who is then impersonated by the third voice. All of this to steal $600,000. Written by
Piergiorgio Romani <email@example.com>
Plot-- Edmond O'Brien (he has no movie name) collaborates with his lover Marian (Day) to impersonate her wealthy boss in order to collect a quarter-million dollars. The ruse, however, involves more telephone calls than AT&T, hence the title "The Third Voice".
For a brief time it looked like writer-director Cornfield would follow in Stanley Kubrick's footsteps with his intricately plotted, stylishly filmed Plunder Road (1957), a caper movie in the mode of Kubrick's classic The Killing (1956). For some reason, however, Cornfield's career petered out, especially following a feud with Marlon Brando on the set of The Night of the Following Day (1968), another caper film.
Looks like Cornfield worked best with small-scale b&w movies like this one, his follow-up to Plunder Road. The Third Voice is an imaginative, low-budget variation on the caper film that makes good use of a veteran cast, including a sultry Julie London. But it's really a showcase for that icon of film noir Edmond O'Brien, who runs up a monumental phone bill, that is, when not changing hotels like some modern-day Gypsy.
There're several episodes of good suspense, especially the pins & needles of wondering whether an accountant will follow protocol or not. Also, catch that sweaty hang up with the incriminating boat. The climax itself amounts to a neat, ironical twist in a hotel room that I didn't see coming. I'm just sorry Cornfield's career, for whatever reason, didn't match the early promise of this nifty little suspenser.
3 of 3 people found this review helpful.
Was this review helpful to you?