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Testament of Orpheus (1960)
"Le testament d'Orphée, ou ne me demandez pas pourquoi!" (original title)

7.3
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Ratings: 7.3/10 from 1,685 users  
Reviews: 22 user | 17 critic

The Poet looks back over his life and work, recalling his inspirations and obsessions.

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Title: Testament of Orpheus (1960)

Testament of Orpheus (1960) on IMDb 7.3/10

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Nominated for 1 BAFTA Film Award. See more awards »
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Cast

Complete credited cast:
...
Himself - the Poet
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Storyline

The poet Jean Cocteau is lost in space-time. He has been in the 18th century and is now turning up at different moments in professor Langevin's life. The professor has invented some bullets, which travel faster than light. With one of them he kills Cocteau, who is resurrected as his old self, but is still caught in the space between fantasy and reality. At a gypsy camp a woman saves a photo out of the fire and restores it. On the photo Cocteau recognizes Cégeste from his film Orphée. He tears the photo into pieces and throws it into the sea. Immediately Cégeste himself jumps out of the water. He brings Cocteau to a rogatory commission led by Heurtebise and The Princess from the film Orphée. Cocteau admits that he has constantly attempted to enter a world which is not his own, a world that is beyond the limits of man, and that disobedience is like a religion for him. The commission imposes on him the sentence of life. In a hall inside some stone ruins the goddess Athena kills Cocteau ... Written by Maths Jesperson {maths.jesperson1@comhem.se}

Plot Summary | Plot Synopsis

Genres:

Biography

Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

18 February 1960 (France)  »

Also Known As:

Le testament d'Orphée  »

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Third and final part of the poet's trilogy formed by "Le sang d'un poète" (1930), "Orphée" (1949) et "Le Testament d'Orphée" (1959). See more »

Quotes

Cégeste: It's no use. An artist always paints his own portrait. You'll never paint that flower.
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Connections

Referenced in Discovering 'Evil Dead' (2002) See more »

Soundtracks

Orphée et Eurydice
Composed by Christoph Willibald Gluck
(1762)
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User Reviews

This movie shows what a movie can be and should be.
10 August 2004 | by (India) – See all my reviews

Although the elements involved in the last part of the trilogy (of course it's a trilogy!) are same, the movie is brilliant in the way it deal and approaches with a poet's final years. I loved the self-reference to the earlier versions and to Jean cocteau himself. The film touches A film inside a film, a stage inside a stage, a life inside a life, a body inside a body and ofcourse a world inside a world. This is a "timeless" classic. No pun intended. This just my first viewing, I intend to see it again and again. One interesting thing (a speculation) is the BULLET from the future world. I wonder whether James cameroon got inspired from this idea to come up with "The Terminator".

Personally, I was always interested by the idea of NO TIME. This movie touches the possible cyclic nature of the time and sometime it even goes even further suggesting that -- ALL TIMES reside within ONE or NONE -- Well we're not supposed to understand it :) I loved the dig at intellectuals.

I would recommend this movie to all surrealist and anybody who has the eternal question -- WHY?! This movie is not an answer nor it asks question. Just OBEY the natural laws and see the movie :)

9/10


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